Today we mark one of the “minor” fast days of the Jewish calendar: Asarah b’Tevet, the Tenth of Tevet. Technically, in ancient times there were three separate fasts instituted on the eighth, ninth, and tenth days of Tevet. However, because fasting three days in a row is not practical for most people, the three were combined into a single day. None of this is coincidence, of course, and there is a profound connection between the “three” fasts. First, a recap: what does each of these fasts commemorate?
This week’s parasha begins with the passing of Sarah, the first Matriarch. We read how Abraham “eulogized Sarah and bewailed her” (Genesis 23:2). Today, the ritual most associated with Jewish death and mourning is undoubtedly the recitation of Kaddish. This has become one of those quintessentially Jewish things that all Jews—regardless of background, denomination, or religious level—tend to be very careful about. It is quite common to see people who otherwise never come to the synagogue to show up regularly when a parent or spouse dies, only to never be seen again as soon as the mourning period is over. Kaddish has become so prevalent that it has gone mainstream, featured in film and on TV (as in Rocky III and in the popular Rugrats cartoon), on stage (in Angels in America and Leonard Bernstein’s Symphony no. 3), and in literature (with bestselling novels like Kaddish in Dublin, and Kaddish For an Unborn Child).
Sylvester Stallone, as Rocky Balboa, recites Kaddish for his beloved coach and mentor.
And yet, the origins of Kaddish are entirely clouded in mystery. It isn’t mentioned in the Tanakh, nor is there any discussion of reciting Kaddish for the dead in the Mishnah or Talmud. Even in the Rambam’s monumental Jewish legal code, the Mishneh Torah—just over 800 years old—there is no discussion of a Mourner’s Kaddish. Where did it come from?
Praying for Redemption
The Talmud refers to Kaddish in a number of places (such as Berakhot 3a, for example), though not in association with mourning the dead. Around the same time, we see a prayer very similar to Kaddish in the New Testament (Matthew 6:9-13), which has since become known as the “Lord’s Prayer” among Christians. This suggests that Kaddish existed before the schism between Judaism and Christianity, and this is one reason scholars date the composition of Kaddish to the late Second Temple era.
Many believe that it was composed in response to Roman persecution. The text of the Kaddish makes it clear from the very beginning that it is a request for God to speedily bring about His great salvation. It certainly makes sense that such a prayer would be composed in those difficult Roman times. In fact, the first words of Kaddish are based on Ezekiel 38:23, in the midst of the Prophet’s description of the End of Days (the famous “Gog u’Magog”), where God says v’itgadalti v’itkadashti. The Sages hoped the travails they were struggling through were the last “birth pangs” of the End Times.
In Why We Pray What We Pray, Barry Freundel argues that Kaddish was originally recited at the end of a lecture or a Torah learning session—as continues to be done today. It likely came at a time when public Torah learning or preaching was forbidden, as we know was the case in the time of Rabbi Akiva. So, the Sages ended their secret learning sessions with a prayer hoping that the Redemption would soon come, and they would once more be able to safely preach in public.
If that’s the case, how did Kaddish become associated with mourning the dead?
The Mourner’s Kaddish
Freundel points out that the earliest connection between Kaddish and the souls of the dead is from the Heikhalot texts. These are the most ancient works of Jewish mystical literature, going as far back as the early post-Second Temple era. (Scholars date the earliest texts to the 3rd century CE). One of these texts reads:
In the future, the Holy One, blessed be He, will reveal the depths of Torah to Israel… and David will recite a song before God, and the righteous will respond after him: “Amen, yehe sheme rabba mevorach l’olam u’l’olmei olmaya itbarach” from the midst of the Garden of Eden. And the sinners of Israel will answer “Amen” from Gehinnom.
Immediately, God says to the angels: “Who are these that answer ‘Amen’ from Gehinnom?” [The angels] say before Him: “Master of the Universe, these are the sinners of Israel who, even though they are in great distress, they strengthen themselves and say ‘Amen’ before You.” Immediately, God says to the angels: “Open for them the gates of the Garden of Eden, so that they can come and sing before Me…”
The Heikhalot connect Kaddish (specifically its central verse, “May His great Name be blessed forever and for all eternity…”) to a Heavenly prayer that will be recited at the End of Days, when the souls in Gehinnom will finally have reprieve. We can already start to see how this might relate to mourning, or spiritually assisting, the recently deceased.
This is related to another well-known story that is by far the most-oft used as the origin of Kaddish. In this narrative, a certain great sage—usually Rabbi Akiva, but sometimes Rabbi Yochanan ben Zakkai—sees a person covered in ash and struggling with piles of lumber. The poor person explains that he is actually dead, and his eternal punishment (reminiscent of popular Greek mythology) is to forever gather wood, only to be burned in the flames of that wood, and to repeat it all over again. The Sage asks if there is anything he could do to help, to which the dead man replies that if only his son would say a particular prayer, he would be relieved of his eternal torment.
The nature of that prayer varies from one story to the next. In some, it is the Shema, in others it is Barchu, and in others it is a reading of the Haftarah (see, for example, Kallah Rabbati 2, Machzor Vitry 144, Zohar Hadash on Acharei Mot, and Tanna d’Vei Eliyahu Zuta 17). It is only in later versions of the story that the prayer the son must say is Kaddish. Whatever the case, between the Heikhalot texts, and these Midrashic accounts, we now have a firm connection linking Kaddish with the deceased.
I believe there is one more significant (yet overlooked) source to point out:
The most important part of the Kaddish is undoubtedly the verse yehe sheme rabba mevorach l’olam u’l’olmei olmaya. As we saw in the Heikhalot above, this is the part that especially arouses God’s mercy. The Talmud (Berakhot 3a) agrees when it says essentially the same thing about the entire congregation reciting aloud “yehe sheme hagadol mevorach”. These special words are based on several Scriptural verses, such as Psalm 113:2 and Daniel 2:20. It also appears in Job 1:21.
Here, Job suffers the death of all of his children. Upon hearing the tragic news, he famously says: “…naked I came out of my mother’s womb, and naked shall I return; the Lord giveth, and the Lord taketh away; blessed be the name of the Lord.” In Hebrew it reads: Adonai natan, v’Adonai lakach, yehi shem Adonai mevorach. The parallel is striking. The first person in history to recite the great “yehe sheme rabba” upon the death of a family member is none other than Job. In some way, Job may be the originator of the Mourner’s Kaddish.
Birth of a Custom
Officially, the earliest known mention of reciting Kaddish for the dead is Sefer HaRokeach, by Rabbi Elazar of Worms (c. 1176-1238). Shortly after, his student Rabbi Itzchak of Vienna (1200-1270) writes in his Ohr Zarua that Ashkenazim have a custom to recite Kaddish upon the dead. He explicitly states that Tzarfati Jews (and as an extension, Sephardic Jews) do not have such a custom.
That much is already clear from the Rambam (Rabbi Moshe ben Maimon, 1135-1204), the greatest of Sephardic sages in his day, who makes no mention of a Mourner’s Kaddish anywhere in his comprehensive Mishneh Torah. (The Rambam does speak about the regular Kaddish, unrelated to the dead, which is recited throughout the daily prayers.) We see that in his time, Kaddish was still a strictly Ashkenazi practice. Why is it that Ashkenazi Jews in particular began to say Kaddish for the dead?
Most scholars believe the answer lies within the Crusades. The First Crusade (1095-1099) was a massive disaster for Europe’s Ashkenazi Jews. While the Crusades were meant to free the Holy Land from Muslim domination, many local Christians argued that there was no need to fight the heathen all the way in the Holy Land when there were so many local Jewish “heathens” among them. The result is what is referred to as “the Rhineland massacres”, described by some as “the First Holocaust”. Countless Jews were slaughtered.
Like in the times of Roman persecution a millennium earlier, the Ashkenazi Sages sought comfort in the words of Kaddish, beseeching the coming of God’s Final Redemption, and at the same time seeking to honour the poor souls of the murdered. It therefore isn’t surprising that Rabbi Elazar of Worms is the first to speak of Kaddish for the dead, as his hometown of Worms (along with the town of Speyer) was among the first to be attacked, in May of 1096.
It is important to remember that Rabbi Elazar was a member of the Hasidei Ashkenaz, the “German Pietist” movement known for its mysticism and asceticism (not to be confused with the much later Hasidic movement). The Hasidei Ashkenaz would have been particularly well-versed in Heikhalot and Midrashim. Everything points to this group as being the true originators of reciting Kaddish for the dead.
The practice spread from there. Indeed, there was a great deal of Jewish migration in those turbulent times. For example, one of the greatest Ashkenazi sages, Rabbeinu Asher (c. 1250-1327), was born in Cologne, Germany, but fled persecution and settled in Toledo, Spain. His renowned sons, Rabbi Yakov ben Asher (Ba’al HaTurim, c. 1269-1343), and Rabbi Yehudah ben Asher (c. 1270-1349) continued to lead the Sephardic Jewish community of Toledo. And it was there in Toledo that was born one of the greatest of Sephardi sages, Rabbi Yosef Karo (1488-1575), author of the Shulchan Arukh, still the primary code of Jewish law.
In the Shulchan Arukh we read how reciting Kaddish at a funeral is a must (Yoreh De’ah 376:4). We are then told that there is a custom based on the Midrash to continue reciting Kaddish for twelve months, though only for a parent, and possibly only for a father. The reasoning for the latter is entirely different: since it is a father’s obligation to teach his son Torah, by reciting Kaddish the son demonstrates that the father had fulfilled the mitzvah, and left behind a proper Jewish legacy.
It is quite amazing to see that as late as 500 years ago, Mourner’s Kaddish was still defined in very narrow terms, and described as more of a custom based on Midrash than an absolute halachic necessity. How did it transform into a supreme Jewish prayer?
Enter the Arizal
As with many other Jewish practices we find so common today, it looks like it was the influence of the Arizal (Rabbi Isaac Luria, 1534-1572), history’s foremost Kabbalist, that made the Mourner’s Kaddish so universal, and so essential. Fittingly, he was the perfect candidate for the job, being the product of an Ashkenazi father and a Sephardi mother, and ending his life as the leader of the Sephardi sages of Tzfat.
The Arizal discussed the mysteries of Kaddish at great length. Like most of his teachings, they were put to paper by his primary disciple, Rabbi Chaim Vital (1543-1620). The latter devotes a dozen dense pages to Kaddish in Sha’ar HaKavanot. He first explains the various forms of Kaddish recited during the regular prayer services. In brief, we find that Kaddish is recited between the major prayer sections because each part of the prayer is associated with a different mystical universe, and a different Heavenly Palace, and Kaddish facilitates the migration from one world to the next.
Recall that Kabbalah describes Creation in four universes or dimensions: Asiyah, Yetzirah, Beriah, and Atzilut. The four sections of prayer correspond to the four ascending universes: the morning blessings and the first prayers up until Hodu correspond to Asiyah; the Pesukei d’Zimrah corresponds to Yetzirah; the Shema and its blessings parallel Beriah; and the climax of the prayer, the Amidah, is Atzilut, the level of pure Divine Emanation. For this reason, the Amidah is recited in complete silence and stillness, for at the level of Atzilut, one is entirely unified with God.
The Arizal delves in depth into the individual letters and gematrias of Kaddish, its words and phrases, and how they correspond to various names of God and Heavenly Palaces. He relays the proper meditations to have in mind when reciting the different types of Kaddish, at different stages of prayer. To simplify, the Arizal teaches that Kaddish helps us move ever higher from one world to the next, and more cosmically, serves to elevate the entire universe into higher dimensions. We can already see how this would be related to assisting the dead, spiritually escorting the soul of the deceased higher and higher through the Heavenly realms.
More intriguingly, Rabbi Vital writes that Kaddish is meant to prepare the soul for the Resurrection of the Dead. He goes on to cite his master in saying that Kaddish should be recited every single day, including Shabbat and holidays, for an entire year following the passing of a parent. He says that Kaddish not only helps to free a soul from Gehinnom, but more importantly to help it attain Gan Eden. It elevates all souls, even righteous ones. This is why one should say Kaddish for a righteous person just as much as for a wicked person, and this is why it should be said even on Shabbat (when souls in Gehinnom are given rest). Rabbi Vital then says how the Arizal would also say Kaddish every year on the anniversary of his father’s death, which is now the norm as well.
Ironically, while Kaddish began as an Ashkenazi custom, Rabbi Vital writes that the Arizal made sure to recite Kaddish according to the Sephardi text!
Repairing the World
Another interesting point that Rabbi Vital explains is why Kaddish is in Aramaic, and not Hebrew like the rest of the prayers. He reminds us the words of the Zohar that both Hebrew and Aramaic are written with the exact same letters because these are the Divine Letters of Creation, but Hebrew comes from the side of purity and holiness, while Aramaic is from the “other side” of impurity and darkness. Hebrew is the language of the angels, while Aramaic is the language of the impure spirits. The angels speak Hebrew, but do not understand Aramaic, while their antagonists speak Aramaic, and do not understand Hebrew. When we learn Torah and Mishnah, in Hebrew, we please the angels who take our words up to Heaven. When we learn Talmud and Zohar, in Aramaic, we destroy those dark spirits who cannot stand the fact that a person is using their tongue for words of light and holiness.
The same applies to our prayers. The bulk of our prayers are in holy Hebrew, the language of angels. Kaddish is in Aramaic because it is meant to elevate us, and the universe around us, into higher dimensions. In this vital task, we cannot risk elevating the impure spirits along with us, contaminating the upper worlds. Thus, by saying it in Aramaic, we push away the impure spirits who are unable to withstand us using their language in purity. Those evil forces are driven away, and we can ascend and rectify in complete purity.
This, in brief, is the tremendous power of Kaddish. This is why we recite it so many times over the course of the day. And this is why every Jew is so mysteriously drawn to this prayer and ritual, possibly above all others. Deep inside the soul of every Jew—regardless of background, denomination, or religious level—is a yearning to repair the world, to destroy the impure, to uplift the universe, and to recite loudly: “May His great Name be blessed forever and for all eternity…”
In this week’s parasha, Nitzavim, we read that “The hidden things are for Hashem, our God, and the revealed things are for us and our children forever, to fulfil the words of this Law.” (Deuteronomy 29:28) The verse is a significant one for a number of reasons, one of which is that it is used as Scriptural proof for the Jewish mystical tradition, commonly referred to as “Kabbalah”, those esoteric secrets—“hidden things”—of the Torah. The Torah cautions that these secrets are best to be kept for God, while the revealed parts of the Law are for us and our children.
And yet, Jewish mysticism has been a very popular area of study for millennia. We know of the existence of multiple “mystery schools” in the Second Temple era. Some of the earliest mystical texts were composed in this time period, and have been found among the Dead Sea Scrolls. In the centuries following the destruction of the Second Temple, a number of new mystical texts appeared, known as the Heikhalot, Heavenly “Palaces”.
The main protagonists of the Heikhalot are Rabbi Akiva and his contemporary, Rabbi Ishmael. We know from the Talmud that these two were great mystics. The Talmud (Chagigah 14b) famously records how Rabbi Akiva led three other rabbis to the Heavenly realms of Pardes. This is traditionally taken to mean that they plunged into the depths of Jewish esotericism, where “Pardes” is an acronym for pshat, remez, drash, sod, the four main levels of Torah study: the simple, surface meaning; the sub-textual allusions; the allegorical, metaphorical, and extra-Scriptural narratives; and the mystical secrets of Kabbalah.
The three rabbis that went along with Rabbi Akiva didn’t fare so well: Ben Azzai died, Ben Zoma apparently lost his mind, and Elisha ben Avuya became a heretic. Only Rabbi Akiva “exited in peace”. There were many other mystics in their day. The Talmud (Sukkah 28a) states that although Rabbi Yochanan ben Zakkai (whose students were the teachers of Rabbi Akiva) was the least knowledgeable of Hillel’s eighty disciples, even he was an expert in Ma’aseh Merkavah, “the Work of the Chariot”. Ma’aseh Merkavah refers to the opening account of the Book of Ezekiel, where the prophet describes God’s “Divine Chariot”. Similar holy visions were beheld by the other prophets, including Isaiah and Daniel, while Elijah was taken up to Heaven in such a fiery chariot (II Kings 2:11). Thus, Ma’aseh Merkavah is believed to be concerned with attaining prophecy, or with spiritual ascent to the Heavens. This is precisely how one might elevate to Pardes.
The other major area of mysticism in Second Temple and early Talmudic times was known as Ma’aseh Beresheet, “the Work of Creation” (Chagigah 11b). This refers to the opening account of Genesis, and the secrets of God’s formation of this universe. The study of Ma’aseh Beresheet would presumably allow one to attain certain divine creative powers. This is what the sages Rav Chanina and Rav Oshaia delved into every Friday afternoon, and were able to produce a lamb out of thin air—then barbecue it for lunch! (Sanhedrin 65b)
Such great power exists within the study of Maaseh Merkavah and Maaseh Beresheet that the Sages caution these subjects must not be taught publicly, and not to all those who wish to learn them: “Maaseh Beresheet must not be expounded upon before two, and Maaseh Merkavah even before one, unless he is a sage and understands of his own knowledge.” (Chagigah 2:1) Even to the understanding scholar, the Sages permit only the “chapter headings” to be revealed. The master points the student in the right direction, and nothing more. In this way, only the truly deserving wise one will come to understand the mysteries. Perhaps this is why the study was eventually called Kabbalah, from the root meaning “to receive”, for one could only receive it through divine inspiration from Above, and after having received the chapter headings from a master.
Interestingly, the term Kabbalah in the Talmud refers not to mysticism but to the Tanakh, specifically to the books of Nevi’im and Ketuvim which follow the Five Books of Moses. This actually makes a lot of sense, since most of Kabbalah is built upon verses and passages in the Prophets and Writings. One who studies Kabbalistic texts will quickly recognize how most of the passages open with Scriptural verses, with concepts supported by Scriptural verses, especially from the Books of Psalms, Proverbs, Job, Shir haShirim, and of course, Ezekiel and Isaiah. Other texts of Tanakh are frequently cited, too. In fact, it is said that the Vilna Gaon (Rabbi Eliyahu Kramer, 1720-1797), among the greatest of Kabbalists, studied nothing but Tanakh after a certain age, since he could derive everything directly from Scripture.
This may be one reason, among others, why study of Nevi’im and Ketuvim is so rare in the Orthodox yeshiva world today. Since Kabbalah is often seen as taboo, especially for young minds, it may be best to avoid study of Scriptural passages that may bring up uncomfortable or mystical questions. Indeed, it is the story of the Four Who Entered Pardes that is most commonly used as proof that the young, the uninitiated, or those that have not mastered every facet of Torah must not delve into Kabbalah. The Rambam (Rabbi Moshe ben Maimon, 1135-1204) codifies this as law.
The Sages of the early generations commanded that these matters should not be explained except to a single individual [at a time]. He should be a wise man, who can reach understanding with his own knowledge. In such an instance, he is given fundamental points, and an outline of the concepts is made known to him. He [is expected to continue to contemplate] until he reaches understanding with his powers of knowledge and knows the ultimate meaning and depth of the concept. (Yesodei HaTorah 2:12)
The Rambam is an interesting case, for he was no Kabbalist by any means. A strictly rationalist thinker, he rejected any notion of evil spirits and demons, thought superstitions to be silly at best, and made sure to expunge all sorts of mysticism-based rituals from his code of law. For the Rambam, Maaseh Merkavah simply refers to the various spiritual entities that God created, mainly the ten types of angels (Yesodei HaTorah, ch. 2). What the prophets saw were just “visions and parables”, not actual concrete things. Maaseh Beresheet, meanwhile, is essentially science and physics—the study of the elements and their properties, the various “spheres” of astronomy, the nature of the luminaries, stars and planets—these are the things he calls “Maaseh Beresheet” (Yesodei HaTorah, ch. 3-4). The Rambam believes this is what is meant by “Pardes” (4:3). For him, Kabbalah is not an exercise in amulets or magic, exorcism or demonology, astrology or fortune-telling—all of which he expressly rejects as irrational, unreal, and absurd.
Ironically, it was the Rambam’s own son, Rabbeinu Avraham (1186-1237), who became a great mystic and played a huge role in the development of modern Kabbalah.
The New Kabbalah
Rabbeinu Avraham wrote a monumental 2500-page philosophical work called Kitab Kifayah al-Abidin (“A Guide for the Servants of God”). Scholars note how Rabbeinu Avraham integrated a great amount of material from Muslim Sufi mystics. Incredibly, Rabbeinu Avraham himself writes in his book that the ancient mystical tradition of the Hebrew Prophets was forgotten among Jews, “because of their iniquities”, and has been carried forward by the Sufis! He argues that the Sufis “imitate the Prophets [of Israel] and walk in their footsteps.”
The fusion of Jewish and Sufi mysticism continued strongly in Egypt for several generations. Rabbi Gavin Michal beautifully traces how these traditions made their way to Tzfat: Rabbeinu Avraham’s great-great-grandson, Rabbeinu David, the last official nagid of the illustrious Jewish community in Egypt, packed his bags and resettled in Aleppo, Syria in the early 1400s. He brought with him his massive Sufi-inspired Jewish mystical library. This library was a key source of literature for the early Tzfat Kabbalists, who lived a short trip away from Aleppo. Amazingly, historical sources suggest that one of these early Kabbalists was a Sufi convert to Judaism.
It therefore isn’t surprising that Arab and Muslim mystical beliefs strongly influenced Jewish mysticism. In his Kabbalah, Gershom Scholem points out numerous examples of this. While most of these concepts are valuable, some are most unfortunate: Arab demonology and superstition, too, neatly made its way into Kabbalistic literature. This is most evident in the plethora of Arabic hamsas and “evil eye” amulets that have sadly infiltrated so many Jewish homes. (We have also written in the past how Muslim ritual inspired the “mystical” custom of upsherin.)
At the same time that this was happening in the Middle East, a parallel Jewish mystical movement was rapidly developing on the other side of the Mediterranean, in Spain. Their Kabbalah, too, was not immune to the beliefs and practices of the neighbouring Christians.
Rise of the Zohar
In the 11th and 12th centuries, mysticism was slowly spreading in the Sephardic Jewish communities of Spain. It wasn’t until the late 13th century that Kabbalah received an immense boost with the publication of Sefer HaZohar, aka. “The Midrash of Rabbi Shimon bar Yochai”. The publication was spearheaded by Rabbi Moshe ben Shem Tov de Leon (1240-1305), a great Kabbalist in his own right. He claimed that this book was the unadulterated teachings of the Talmudic sage Shimon bar Yochai, or Rashbi, a disciple of Rabbi Akiva.
While the Zohar was undoubtedly full of profound wisdom and authentic mysticism, it immediately aroused a great deal of suspicion. After all, no one had ever seen, or even heard of, such a text before. One scholar who took up the mission of discovering the Zohar’s real roots was Rabbi Itzchak d’min Acco (“Isaac of Acre”, c. 13th-14th century). Rabbi Itzchak was possibly a student of the Ramban (Rabbi Moshe ben Nachman, 1194-1270), who had made aliyah after his famous Disputation and settled in Acre, where Rabbi Itzchak was apparently born. Rabbi Itzchak studied among those pre-Tzfat era Kabbalists in Israel. The Crusades made life difficult, and Rabbi Itzchak fled to Spain in 1305.
There, he met Rabbi Moshe de Leon, and questioned him about the Zohar, pointing out that the Kabbalists of the Holy Land knew nothing of such a work. Rabbi Moshe swore that he possessed an original manuscript from Rabbi Shimon bar Yochai, back in his hometown of Avila. He promised to fetch the text and show it to Rabbi Itzchak, but suddenly died. Perhaps this untimely death is itself proof enough that Rabbi Moshe de Leon swore falsely!
For Rabbi Itzchak, it was not enough, and he decided to continue his search in Avila. There, he met a rabbi who knew Moshe de Leon’s family, and the rabbi told him that de Leon’s wife admitted he had composed the Zohar by himself, attributing it to Rashbi so that it would be accepted as authentic (and sell more copies). Many later Kabbalists reject this narrative, and believe it is a legend meant to discredit the Zohar. The story appeared in the first edition of Sefer Yuchasin (by Rabbi Avraham Zacuto, 1452-1515), and was censored out of all subsequent editions for over 300 years.
Over those centuries, the Zohar became the primary Kabbalistic text, so much so that it essentially became synonymous with Kabbalah. More ancient and once prominent texts like Sefer Yetzirah and Sefer HaBahir fell far behind. The Zohar inspired a massive new wave of mysticism that made a permanent impact on Judaism. It was the Tzfat Kabbalists of the 16th and 17th centuries in particular that neatly analyzed, categorized, and made sense of the Zohar, producing a whole new worldview and publishing a vast array of novel mystical literature that took the Jewish world by storm.
While halacha was once clearly separated from mysticism, the distinction started to get blurry. We sometimes forget that the Shulkhan Aruch, still the most famous of Jewish law codes, was composed by Rabbi Yosef Karo, a noted Tzfat Kabbalist. As such, he couldn’t possibly omit Kabbalah entirely from his laws, and mystical rituals and beliefs seep in on multiple occasions. The trend would continue, and reach even greater heights under the later Hasidim.
By this point, the authorship of the Zohar was seldom disputed. Still, the belief that it was written by Rashbi himself is false. After all, the Zohar clearly states that Rashbi charged his disciple Rabbi Abba with composing his teachings (see Zohar III, 287b). The Italian Kabbalist Rabbi Mordechai Galante (d. 1560) held that the Zohar was compiled sometime in the Geonic period (c. 589-1038 CE) from these ancient manuscripts of Rabbi Abba. The fore-mentioned Sefer Yuchasin holds that the Zohar may have originated with Rashbi, but was reworked and expanded by future generations of Kabbalists. No one knows exactly where it came from.
Some said it was the Ramban who discovered the Zohar when he arrived in Israel, then shipped it back to Spain (to save it from the Crusader wars or to reveal it to the Sephardi Kabbalists). The ship capsized or went off course, and the text ended up in the hands of Moshe de Leon! Others still believed that the Zohar was discovered by an Arab king, or by Spanish conquistadors, and sent over to the Sephardi Kabbalists for translation.
The Problem with Kabbalah
Gershom Scholem notes a number of issues within the Zohar that make it impossible to have been composed by Rashbi, Rabbi Abba, or anyone else from that time period. In fact, it appears that the person who put together the Zohar was not even a very good Talmudist. For example, the Talmud (Shabbat 33b) says that Pinchas ben Yair was Rashbi’s son-in-law, whereas the Zohar inaccurately says he was his father-in-law. Similarly, the Zohar is pretty confused about its Talmudic history, and in listing Rashbi’s ten main disciples, mixes together Amoraim and Tannaim from different centuries. Scholem also points out that the Zohar improperly uses the Aramaic language, while clearly incorporating many words with Spanish origin (such as esnoga, “synagogue” or gardin, “guardian”).
These issues were already noted by earlier Jewish scholars. Rabbi Eliyahu del Medigo (c. 1458-1493), another great Italian sage, was part of a Kabbalistic circle before growing distant from the mystics. He noted how the Zohar has names of rabbis that lived long after Rashbi. A fellow Italian, Rabbi Leon da Modena (1571-1648) wrote an entire treatise, Ari Nohem, debunking the Zohar. He concludes that it must be only a few centuries old, and its Chokhmat haKabbalah is neither Chokhmah (wisdom) nor is it authentic Kabbalah! Rabbi Yakov Emden (1697-1776) was most vocal in his attack on the Zohar, and stated it was a complete forgery. The Yemenite sage Rabbi Yichya Kapach (1850-1931) believed the same thing.
Others have staunchly defended the Zohar, of course. Those Spanish-looking words may be there because they come from earlier Latin words, which would have been familiar to Rashbi. The names of sages from different time periods may be mixed together in one passage, but we often find the same thing in the Talmud. Truly, one who studies the Zohar will find it hard to believe that it could have all been composed by one Kabbalist, whether Moshe de Leon or someone else. In fact, the Zohar isn’t a monolithic text at all, and is composed of various distinct parts (Raya Mehemna, Midrash haNe’elam, etc.) It probably was pieced together from earlier genuine manuscripts, and was probably edited by a circle of Sephardi Kabbalists in the 13th century, who firmly believed the teachings dated back to Rashbi in some way.
It should be mentioned that Rabbi Itzchak d’min Acco’s account does not end with Moshe de Leon’s family. He continued his search, and met at least two other rabbis that swore on the Zohar’s authenticity. Even Gershom Scholem held that Moshe de Leon was an honest scholar, and certainly no faker who was out to dupe others or make money. (Scholem nonetheless believed that de Leon and his circle were the Zohar’s originators.)
Today, the Zohar has seemingly become accepted by all Orthodox communities, and some claim that denying the authenticity of the Zohar is heresy. This is not true. Rav Eliyahu Dessler (1892-1953) held that there is nothing wrong with believing the Zohar was composed by someone in the 13th century. Meanwhile, Rav Ovadia Yosef (1920-2013) said that the Yemenite communities that do not accept the Zohar should not be considered heretics. After all, these communities existed long before the Zohar’s publication, and were never exposed to it. He even conceded that some of their arguments may have substance. (See Ma’ayan Omer, Perek 7, Siman 93.)
One of their arguments is that the Zohar was influenced by Christian belief. Gersom Scholem illustrates multiple instances of this in his Kabbalah, especially when it comes to Christian demonology. Aside from that, some of the Zohar’s teachings may be seen as inadvertently supporting Christian theology. In fact, Christian scholars (like Picco della Mirandola, Johann Reuchlin, Christian Knorr von Rosenroth, and even Newton and Leibnitz) actually took up the study of the Zohar themselves, and believed that this text would result in Jews finally converting to Christianity willingly. History shows that while some Jews may have done so, many more Jews instead started to believe in Christian ideas like man becoming god (or god becoming man), and that a messiah can die without completing his task, to return in a future “second coming”. This was a huge issue in the heresy of Shabbatai Tzvi (1626-1676), and continues to be a significant problem with certain Hasidim today.
One specific example of how Christianity may have influenced post-Zoharic Kabbalah is particularly relevant now, on the cusp of Rosh Hashanah. It is customary to recite Tefillat HaParnasah, a prayer for sustenance, at the end of each prayer service during the High Holidays. In many Sephardic machzorim, a supposed “name of God” is invoked—though not recited aloud—during this prayer (it is also found in the parnasah insert during the Amidah of many Sephardic weekday siddurim). That “name” is Dikarnosa (דיקרנוסא), which apparently comes from Malachi 3:10, though it is difficult to see how other than the appearance of the word די in the verse. Others link it to a fusion of Malachi 3:10 and the word nasah in Psalms 4:7, נסה עלינו אור פניך ה׳.
In reality, Dikarnosa means absolutely nothing in Hebrew or Aramaic. However, it has a clear Spanish (or Latin) root: dei (“god”) and karne (“meat” or “flesh”). Some believe karnosa is a combination of karne and sanguis, “blood”. Whatever the case, the meaning is pretty clear: either the name is invoking a “god of meat” or speaking of a “god of flesh and blood”. Dikarnosa may be the name of an old pagan Spanish deity of abundance (hence the association with parnasah) or, according to one Catholic priest, potentially rooted in an old appellation for Jesus who, according to Christianity, is God literally incarnated in “flesh and blood”.
While Dikarnosa is not explicitly mentioned in the Zohar, it emerged in post-Zoharic Kabbalah circles, and was already firmly accepted in the times of the Arizal. His primary disciple, Rabbi Chaim Vital (1543-1620), wrote about it in Pri Etz Chaim (Sha’ar HaAmidah, ch. 19). It isn’t surprising then that the Dor De’a of Yemen claimed that modern Kabbalah is contaminated with paganism.
Such are the possible dangers of studying the Zohar, and the Kabbalah that emerged from it. Some become imprisoned in demonic fears, others become extremists, or adopt all sorts of bizarre rituals, while others still are drawn to real heresy. This is one reason why the Noda b’Yehudah (Rabbi Yechezkel Landau, 1713-1793) went so far as to ban (unsuccessfully) the study of Zohar and Kabbalah. There are so many mystical texts out there that it isn’t clear which are genuine and which are not, which have been influenced by Christianity or Shabbateanism (or other heretical movements) and which have not. It is easy to be led astray.
That brings us back to the story of the Four Who Entered Pardes. We learn from that story that maybe one in four who delve into Kabbalah will emerge unscathed. The remaining three are in danger of being lead to heresy, mental issues or extreme asceticism, or worse, an untimely death.
In Search of Authentic Kabbalah
Having said all that, we mustn’t forget that there absolutely is an authentic Jewish mysticism out there. As already stated, the Tanakh itself is full of genuine mysticism, as is the Talmud. The schools of Ma’aseh Merkavah and Ma’aseh Beresheet are real, and existed. There were mystical texts that predated the Zohar, as did the central concept of Ten Sefirot. There is no doubt that much of this authentic mysticism made its way into the Zohar and subsequent works, which is why it became so popular, spread so quickly, and was accepted by so many.
Certainly, there are countless kernels of truth within the Zohar, which were further refined and polished by later Kabbalists like the Ramak and the Arizal. It is a repository of tremendous wisdom (and we have, of course, cited it frequently in this forum). It played a key role in preserving Judaism in the face of attractive Christian and Muslim mysticism in the first half of the last millennium, and in the face of enticing secular “Enlightenment” in the second half. (Rabbi Pinchas of Koretz, 1728-1790, famously said that “the Zohar has kept me Jewish.”)
Today, Kabbalah has become inseparable from Judaism, and has engrained itself into every aspect of our faith—without most Jews even being aware of it. Simple things like doing netilat yadayim in the morning to rid of an impure spirit (something completely omitted in the law code of the rational Rambam), staying up all night on Shavuot, or just commemorating Hoshana Rabba are all based on mystical teachings. Any discussion of reincarnation, cosmogony, eschatology, or even a classic Torah-versus-science debate is impossible without Kabbalah. There is little doubt that the mystical tradition has immensely enriched Judaism.
But what do we make of those foreign influences? Some have argued that foreign influence is actually a good thing. After all, the Rambam himself had stated that we should “accept the truth from whomever speaks it”. There is an old mystical idea that the Torah, too, is in exile among the nations, and we must rediscover these true concepts from the nations, refine them, and restore them to their holy source. When looking from this perspective, we recognize that even the Talmud had adopted (or rediscovered) countless ideas from neighbouring Greeks, Romans, and Persians. And ancient Kabbalah, too, long before the Zohar, drew from other mystical traditions.
Like the critics of today, Rabbi Leon da Modena recognized way back in the 16th century that Kabbalah was essentially Greek Neoplatonism in Jewish clothing. Meanwhile, in his Jews, God, and History, historian Max I. Dimont argues that from the very beginning, Kabbalah “fed on noncanonized prophecy, Zoroastrian resurrection mythology, Greek science, numerology, gnostic heresies.” He concludes that “This was the material Jewish saints and scholars worked on for centuries, distilling it, shaping it, blowing life into it.” There is still much work left to be done in distilling, shaping, and refining Kabbalah. There are some ideas that are best to be buried and forgotten, and some truly profound ideas that should be disseminated further.
Dimont goes on to credit the Zohar and subsequent Kabbalistic texts with having “a large share in the sudden efflorescence of science…” and “laying the intellectual foundations for the seventeenth-century rebirth of philosophy and the establishment of scientific methodology…” A multitude of scholars share his conclusions. At the end of the day, Kabbalah has had a tremendous (mostly positive) impact not only on Judaism, but on the whole world.
What can we conclude from all of this? At the very least, that Kabbalah should be studied carefully, with a grain of salt and an open mind. It is very important to temper the study of Zohar and other Kabbalistic texts with more rationalist sources like the Rambam. We shouldn’t confuse Kabbalah with halacha. We should keep in mind the many authoritative voices in Jewish history that cautioned against, if not outright rejected, the Zohar, and we should never forget those Four Who Entered Pardes.
Those who choose to enter, beware.