Tag Archives: Angels

The Secret Power of Tzitzit

This week’s parasha, Shlach, is primarily concerned with the Sin of the Spies. At the end of the parasha, we read the commandment to wear tzitzit on the corners of our clothes:

Speak to the children of Israel and you shall say to them that they shall make for themselves fringes on the corners of their garments, throughout their generations, and they shall affix a thread of blue on the fringe of each corner. This shall be fringes for you, and when you see it, you will remember all the commandments of God to perform them, and you shall not wander after your hearts and after your eyes after which you are going astray. So that you shall remember and perform all My commandments and you shall be holy to your God. (Numbers 15:38-40)

The passage above states that the purpose of tzitzit is to remind us of God’s commandments. The Torah states that people fall to sin because they follow after their evil inclination—residing in the heart—which itself follows after the eyes. The eyes see and stimulate the temptation inside the heart, and then the entire body succumbs. As an antidote to straying eyes, when we look at tzitzit we remember God’s mitzvot, and this should save us from sin. Rashi famously comments that the word “tzitzit” (ציצית) has a gematria of 600, and when adding the five knots and eight strings on each fringe, one gets 613 to represent the 613 commandments of the Torah.

The Talmud (Menachot 44a) recounts a story of a man who once went out of his way to sleep with a certain beautiful harlot. When it came time to undress, his tzitzit “struck him in the face”. He saw the fringes and remembered God, and held himself back from sin. The harlot was so impressed (as none was ever able to restrain himself from her) that she abandoned her whole world and her great wealth and went to study in the academy of Rabbi Chiya. She ended up converting to Judaism, and marrying that man. The Talmud uses this story both to illustrate the power of tzitzit, and also to show that “There is not a single precept in the Torah, even the lightest, whose reward is not enjoyed in this world.”

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The Passover Seder and the Order of Creation

This Friday night we will be gathering to celebrate the holiday of Pesach. It will also be Shabbat, which is highly appropriate because Pesach and Shabbat are deeply intertwined. While Shabbat is mentioned multiple times in the Torah, there are two places in particular where Shabbat is commanded and explained: the two times that the Torah records the Ten Commandments. These two passages are nearly identical except for, primarily, the description of Shabbat. In the first account, Exodus 20, we read:

Remember the Sabbath day to keep it holy. Six days shall you labour, and do all your work; but the seventh day is a Sabbath unto Hashem, your God, in it you shall not do any manner of work; you, your son, your daughter, your servant, your maid, your cattle, and the stranger that is within your gates; for in six days Hashem made Heaven and Earth, the sea, and all that is in them, and He rested on the seventh day; therefore Hashem blessed the Sabbath day, and sanctified it.

In the second account, Deuteronomy 5, we read:

Observe the Sabbath day to keep it holy, as Hashem your God commanded you. Six days shall you labour, and do all your work; but the seventh day is a Sabbath unto Hashem your God, in it you shall not do any manner of work; you, your son, your daughter, your servant, your maid, your ox, your donkey, your cattle, and the stranger that is within your gates; that your servant and your maid may rest as well as you. And you shall remember that you were a slave in the land of Egypt, and Hashem your God brought you out from there by a mighty hand and by an outstretched arm; therefore Hashem your God commanded you to keep the Sabbath day.

There is one striking difference between the two passages. In the first, the reason for keeping Shabbat is to remember Creation, since God created the universe in six days and rested on the seventh. In the second, the reason for keeping Shabbat is to remember the Exodus, and that we were once slaves that worked tirelessly seven days a week, and now that God has freed us from slavery we should make sure to take a day off. We must never be slaves again, nor are we allowed to enslave others, with God insisting that even our servants and maids “rest as well as you”.

From this alone, we see a strong link between Pesach and Shabbat. In fact, each Shabbat when we recite Kiddush we mention how it is both to commemorate maase Beresheet and yetziat Mitzrayim, both Creation and the Exodus. In the Talmud (Rosh Hashanah 10b), the Sages even debate when God had created the world: was it in Tishrei, or in Nissan, the month of the Exodus? And just as Shabbat is a “mini-Pesach”, Pesach is a “mini-Shabbat”. When the Torah commands counting the Omer, it says to being the count mimachorat haShabbat, “from the day after Shabbat”, which is actually referring to Pesach, when we begin the count (on the second night).

The Kabbalists explain that the events of Pesach and the Exodus rectified all of Creation. The Ten Plagues corresponded to the Ten Utterances of Creation, and each one was meant to repair a level of Creation that the Egyptians had tarnished. (See ‘The Ten Plagues: Destroying the Idols of Egypt’ in Garments of Light.) On a mystical level, the Pesach seder reflects this, too.

The Hand of God

The seder has a total of fourteen distinct steps, easily remembered by the classic rhyme: Kadesh, Urchatz; Karpas, Yachatz; Maggid, Rochtza; Motzi Matzah; Maror, Korech; Shulchan Orekh; Tzafun, Barech; Hallel, Nirtzah. (Note that it is sometimes said that there are 15 steps to the seder, with Motzi and Matzah separated as two, even though they are one mitzvah of eating the matzah.) The fact that there are fourteen parts to the seder is not coincidental. The most common way, by far, that the Torah describes the Exodus is by saying God took us out of Egypt b’Yad chazakah, “with a strong Hand”. The term appears twelve times throughout the Tanakh. Additionally, we read of “God’s Hand” during the plague of pestilence (Exodus 9:3), and at the end of the account of the Splitting of the Sea:

And God saved Israel from the hand of Egypt [mi’yad Mitzrayim], and Israel saw the Egyptians dead upon the sea shore. And Israel saw the great Hand [haYad hagedolah] with which God acted in Egypt, and the people feared God; and they believed in God and in His servant Moses. (Exodus 14:31)

Altogether, we see the word yad used in metaphorical fashion fourteen times with regards to the Exodus, particularly in relation to God’s great “Hand”. And the gematria of yad (יד) itself is 14. I believe this is why the Sages specifically wanted to immortalize the seder with 14 steps.

Similarly, God created His universe with that same great “Hand”. When we look closer at the account of Creation, we find that there are a total of fourteen distinct actions associated with Creation itself:

First there’s “Beresheet”, which the Sages identify as the first Divine Utterance, the origin of time. Then God “hovered over the waters”, said to refer to the formation of the soul of Mashiach (see Ba’al HaTurim on Genesis 1:2, and Beresheet Rabbah 2:4). Then came (3) the creation of light, followed by (4) the division of the waters on the Second Day. On that same day, God created (5) various spiritual worlds, including the heavenly Gan Eden and Gehinnom, and populated them with all the Heavenly hosts and angels (See Yalkut Shimoni, chapter 1, passage 5, and Beresheet Rabbah 1:3). On the Third Day, God (6) gathered all the waters below, and (7) made the dry land appear, before (8) filling the earth with vegetation. Next came (9) the stars on Day Four, followed by (10) fish and birds on the Fifth Day. That day, there was an additional creation described in and of itself (11): “And God created the taninim hagedolim…” (Genesis 1:21). Then came the (12) land animals, (13) mankind, and lastly, (14) Shabbat.

All in all, we see fourteen clear steps in the account of Creation. It is worth mentioning here that in Hebrew the account of Creation (Genesis 1:1-2:4) was traditionally referred to as Seder Beresheet Bara. Creation is a “seder”, too. And we find very clear parallels between the fourteen parts of the Pesach seder and the fourteen steps of the Creation seder.

The Seder of the First Day

The first step of the seder is Kadesh, when we recite Kiddush and drink the first cup of wine. This officially ushers in the holiday and begins the seder process, just as the first act of Creation, Beresheet, officially started time and began the Creation process.

The next step is Urchatz, washing the hands with a cup of water. This first washing is done without saying the blessing al netilat yadayim. In Creation, the second verse tells us that God’s spirit “hovered over the waters.” The connection is self-explanatory.

Eating a vegetable (Karpas) is the third step and parallels the creation of light. As we’ve written in the past, the word “karpas” appears just once in the Tanakh, in describing the great banquet of King Achashverosh at the start of Megillat Esther. It refers to a certain fabric used in the drapery of the banquet. Mystically, it alludes to the fabric of Joseph’s special coat, which was dipped in blood and presented before Jacob to “confirm” the youth’s death. Jacob hence plunged into inconsolable grief and tears. We symbolically dip the karpas into salt water “tears”. That event—the sale of Joseph—led to the young man’s rise to power in Egypt, followed by his family’s settlement there, and then their enslavement, and finally the Exodus. So, that coat—karpas—set the events of the Exodus in motion. While the sale of Joseph was a sad and tragic event, Joseph himself insisted at the end that it was meant to be and all is well.

Joseph is credited for possessing a good eye, and for always being able to see the good within each situation, no matter how terrible (this is why the Sages state that, in turn, the evil eye did not affect Joseph at all). This is the secret of the Light of the First Day. It is called Or HaGanuz, the “hidden light”, and is the light through which Tzadikim see the world. On a deeper level, it represents that hidden divine light concealed within all things. A person like Joseph can see beyond the external into the Godly light inside. Ultimately, the light of the First Day of Creation was preserved for the righteous in the World to Come (Chagigah 12a), who will bask in this divine light in their own Heavenly “banquet”, draped with hur karpas u’techelet, “white, pure, and blue fabrics” (Esther 1:6).

Becoming Angels

Step four in the seder is Yachatz, when the middle matzah is divided in half. This clearly corresponds to the next act of Creation, the division of the waters on the Second Day. On this day, God made a permanent separation between the “upper waters” (Heaven, or Shamayim in Hebrew, literally “waters there”) and the “lower waters” that cover over 70% of the Earth. The larger waters, the Heavens, were concealed by God, just as the larger piece of matzah from the Yachatz is concealed for the afikoman.

Next comes Maggid, when we relate the Exodus story. This corresponds to the other major event of the Second Day. Though not mentioned explicitly in the Torah, the Sages state that God populated the Heavens with angels on this day. Appropriately, the term maggid is actually used to refer to angels that communicate with people. Throughout history, multiple rabbis described how they received mystical secrets from Heaven through a “speaking angel”, a Maggid. The most famous example of this is Rabbi Yosef Karo (1488-1575), the compiler of the Shulchan Arukh, who was visited by a Maggid and recorded some of these teachings in a book called Maggid Mesharim. An angel is first and foremost a messenger, and our job during the Maggid portion of the seder is to act as messengers in relaying the Exodus experience to our children.

Water, Land, and Passover Stars

After Maggid, we get up to wash netilat yadayim, this time with a blessing, because we then sit down to eat the matzah. We say the regular blessing of hamotzi lechem min ha’aretz, as well as the extra blessing al achilat matzah. These two steps, Rochtza and Motzi Matzah, parallel the next two steps of Creation (Genesis 1:9-10):

And God said: “Let the waters under the Heavens be gathered together unto one place, and let the dry land appear.” And it was so. And God called the dry land “Earth” [eretz], and the gathering together of the waters He called “Seas” [yamim]; and God saw that it was good.

Washing the hands is an allusion to the gathering of the waters, and eating the “bread of the earth” (lechem min ha’aretz) alludes to the formation of the earth, eretz.

Right after this, still on the Third Day, God seeded the earth with various grasses, herbs, and vegetation. Needless to say, this corresponds to the next part of the seder, Maror, eating the bitter herbs.

Then comes the “sandwich”, Korech, a combination of matzah, maror, and charoset. As we read in the Haggadah, this step was instituted by Hillel, who would make a sandwich from the matzah, maror, and korban pesach, the Passover lamb, since the Torah explicitly states that the lamb should be eating al matzot u’merorim. Today, we don’t have the Passover lamb, but we do still make a korech. What does the Passover lamb have to do with the next act of Creation, the formation of stars?

Images of the constellation Ares, including a stylized version in the shape of a ram.

The Sages teach that God’s command to take sheep specifically was not without meaning. This is because the Egyptians were idol worshippers and astrologers, and the sheep was one of their main idols and astrological signs. In fact, this bit of astrology remains with us to this day, for the astrological sign of the month of Nissan (or April) is Ares, a constellation in the shape of a ram or sheep. God wanted us to barbeque sheep in particular to once again show the folly of the Egyptians’ idolatrous beliefs. God created the stars as chronological markers for “the holidays, days, and years” (Genesis 1:14), not for them to be worshipped.

Completing the Seder, Completing Creation

We now enter Shulchan Orekh, the great feast. We traditionally begin with eggs and fish. In fact, in olden days some had the custom to place an egg and fish on the seder plate itself (today we retain the egg, but not the fish). These represent what was created next, on the Fifth Day: fish and birds.

The Torah then states that God created taninim gedolim. There is much discussion about the identity of these mysterious creatures. Is the Torah speaking about whales (which, though in the seas, are not fish so they are listed as a separate creation)? Perhaps they are dinosaurs, since the most literal translation would be “large reptiles”? The Sages say that these actually refer to two great monsters or dragons (see Rashi on Genesis 1:21). God created a pair of them, male and female, but they were so terrible that He slayed one immediately afterwards so that the two wouldn’t reproduce. The remaining Leviathan is hidden away, perhaps prowling the deep seas.

‘Destruction of Leviathan’ by Gustav Doré

The taninim correspond to Tzafun, the consumption of the afikoman. The hidden half of the matzah is finally revealed and eaten to end the meal. This alludes to the meal at the End of Days, the so-called “Feast of Leviathan”, where the righteous will join Mashiach in partaking of the Leviathan’s flesh. (For more on the connection between Mashiach and the afikoman, see here.)

With the meal officially over, we recite Birkat Hamazon, and drink the third cup of wine with it. Our rabbis state that on holiday feasts one should especially partake of meat, which is the centrepiece of the holiday meal. (There is even a halachic debate whether one fulfils the mitzvah of a holiday meal if they did not consume meat, and another discussion of whether poultry is okay.) In Temple times, the major part of the meal was the roasted lamb itself. Having consumed our fill of meat, we say Barech to thank Hashem for it. This corresponds to the creation of land animals on the Sixth Day, without which we wouldn’t have the meat to begin with.

We then recite Hallel, to literally “praise” God. This corresponds to the creation of man, who was made for this very purpose. Unlike all other creations, man alone is capable of contemplating Hashem, serving Him, and connecting to Him.

Finally, there’s Nirtzah, where we declare our hope for the Final Redemption, and that next year we will be able to celebrate our complete freedom in Jerusalem. This is a wish for the coming of the great age at the End of Days that will be kulo Shabbat, an everlasting “Sabbath”. Of course, it parallels the final act of Creation: Shabbat.

In these ways, the Passover seder neatly parallels the seder of Creation. To summarize:

Chag Pesach Kasher v’Sameach!

Shalom Aleichem: To Sing or Not to Sing?

This week’s parasha, Vayak’hel, begins with God’s command for Israel to observe the Sabbath. One of the most famous symbols and songs of Shabbat is undoubtedly Shalom Aleichem, traditionally sung before the evening Kiddush. The lyrics of Shalom Aleichem welcome the Sabbath angels into our homes, and for many, serve to set the atmosphere of Shabbat itself. Yet, some of our wise rabbis in the past have cautioned against singing this song!  Where did Shalom Aleichem come from, and who composed it? When did Jews start singing this song, and why?

A Mystery Song

Much of the beloved Kabbalat Shabbat service is of very recent origin. For example, Lecha Dodi, through which we welcome in the Sabbath, was composed by Rabbi Shlomo HaLevi Alkabetz (c. 1500-1576). In fact, the eight verses of Lecha Dodi form an acrostic, the initials spelling his name. Born in Greece, Rabbi Alkabetz later moved to Tzfat, the capital of Jewish mysticism. He studied with Rabbi Yosef Karo (c. 1488-1575), famed composer of the Shulchan Arukh, and was the brother-in-law of the Ramak (Rabbi Moshe Cordovero, 1522-1570), who led the Tzfat Kabbalists before the arrival of the Arizal (Rabbi Itzchak Luria, 1534-1572). Many practices and customs of Judaism as we know them today originated in this incredible circle of Jewish mystics in Tzfat. One of these is the Kabbalat Shabbat prayer service.

Although Rabbi Alkabetz certainly wrote Lecha Dodi, there is little evidence that the wider Kabbalistic circle of Tzfat recited it in his own day. Contrary to popular belief, the Arizal did not sing this song. We know the Arizal’s teachings and practices from the writings of his students, namely his primary disciple, Rabbi Chaim Vital (1542-1620). In Pri Etz Chaim, Rabbi Vital makes it abundantly clear, and repeats multiple times, exactly how the Arizal would perform Kabbalat Shabbat (see, for example, Sha’ar Shabbat, ch. 6):

The Arizal would go out into the fields, and recite Psalm 20 (with the most important verse there being the tenth, which starts Hashem l’mabul yashav, the initials spelling a Name of God, יל״י). He would then say Bo’i Kalah, “come my Bride” three times (based on a teaching in the Talmud, Shabbat 119a). Following this, he would recite Psalm 92 (Mizmor shir l’yom haShabbat), which also contains hidden Names of God. That would be it for Kabbalat Shabbat. Rabbi Vital explains what happens next:

And when you come home from the synagogue after praying Arvit, stand at your place at the meal table, and say “This is the meal of the Holy Apple Orchard”… and after this, encircle the table around the right, silently. Then, take in your hands two bundles of hadas [myrtle branches], and join them together, and say the blessing [besamim] on them, and smell them. And afterwards, encircle the table a second time with the branches in hand, silently. Then say “Zachor v’shamor b’dibbur echad ne’emru”. Then say Kiddush.

After eating the meal, recite some passages from the tractate Shabbat, then birkat hamazon, then say again “Zachor v’shamor b’dibbur echad ne’emru”. Then say the blessing on the hadas a second time. In the morning, for the second Shabbat meal, do the same as you did the previous night [during the first meal], and do the same for the third meal [seudah shlishit].

‘Sabbath Queen’ by Abigail Sarah Bagraim

Thus, while we find some words that remind us of Lecha Dodi, such as “bo’i kalah” and “zachor v’shamor b’dibbur echad” (rearranged by Alkabetz in Lecha Dodi so that “shamor” comes first, to spell his name “Shlomo”), there is no mention of an entire Lecha Dodi. Nor is there any mention of singing Shalom Aleichem (or Eshet Chayil for that matter).

The Arizal did teach that one should say the words “shalom aleichem” three times at the end of Birkat Levanah, the blessing on a new moon recited once a month (Sha’ar Rosh Chodesh Chanukah v’Purim, ch. 3). This is still done today. The Arizal explained that saying shalom aleichem three times serves to remove any kitrug, spiritual “prosecution”. Based on this, some believe that whoever composed the song Shalom Aleichem incorporated this teaching of the Arizal. This is probably why some (especially Sephardis) have the custom to sing only the first three stanzas of Shalom Aleichem, thus saying the words “shalom aleichem” three times. Alternatively, this may be why many others (especially Ashkenazis) have the custom to recite each stanza of Shalom Aleichem three times.

The Origin of Shalom Aleichem

So where and when did Shalom Aleichem first appear? It seems the earliest source is Seder Tikkunei Shabbat, a work first published in Prague in 1641. I found a 1650 Krakow edition, and its Kabbalat Shabbat service and meal table ritual is nearly identical to what is generally practiced today. There are the six Psalms before Lecha Dodi, then Lecha Dodi itself, followed by two more Psalms. Then there is Shalom Aleichem, with all four stanzas—each to be read three times—followed by a prayer called Ribbon Kol HaOlamim, and then Eshet Chayil.

Cover of Tikkunei Shabbat

The cover page of the text says it is based on the teachings of the Arizal. It isn’t clear who exactly put the book together, though it appears to mention a “Rabbi Isaiah Nasi”. That may be Rabbi Isaiah Horowitz (Shelah HaKadosh, 1555-1630), a renowned Kabbalist who was born in Prague and lived for a time in Krakow. He got hold of the teachings of the Arizal, and towards the end of his life travelled to Tzfat in hopes of learning directly from the Arizal’s disciples. Considering that Seder Tikkunei Shabbat was first published twenty years after the Shelah left Europe, and eleven years after he died, it may have been put together by someone else, based on his teachings, which were in turn based on the Arizal.

Still, we do not know who it was that composed Shalom Aleichem. Whatever the case, within a century it had become popular enough that there were those who opposed singing it. One of these opponents was Rabbi Yakov Emden (1697-1776). He published his own siddur, where Shalom Aleichem is missing. He pointed out several issues with the song, including the absurd request for angels (and not God Himself) to bless us (although earlier Jewish works don’t necessarily have a problem with this), and the strange wording of the song, especially the word “mimelekh”. Amazingly, modern versions of Rabbi Emden’s Beit Yakov siddur do include Shalom Aleichem! The earliest Beit Yakov siddur I could find was from 1881, which has Shalom Aleichem in full, though without that problematic word mimelekh.

Shalom Aleichem, with commentary, in an 1881 Beit Yakov siddur

The commentary in this version of Beit Yakov explains that the custom of singing Shalom Aleichem is based on the Talmudic statement (Shabbat 119b) that when one comes home from the synagogue on Friday evening he is followed by two angels:

Rav Chisda said in the name of Mar Ukva: “One who prays on Shabbat evening and recites Vaykhulu, the two ministering angels who accompany the person at all times place their hands on his head and say to him: ‘And your iniquity has passed, and your sin has been atoned.’” [Isaiah 6:7] It was taught [in a Baraita]: Rabbi Yose bar Yehuda says: “Two ministering angels accompany a person on Shabbat evening from the synagogue to his home, one good angel and one bad angel. And when he reaches his home and finds a candle burning and a table set and his bed made, the good angel says: ‘May it be Your will that it shall be like this for another Shabbat.’ And the bad angel answers against his will: ‘Amen.’ And if the person’s home is not prepared for Shabbat in that manner, the bad angel says: ‘May it be Your will that it shall be so for another Shabbat,’ and the good angel answers against his will: ‘Amen.’”

It is these angels that Shalom Aleichem is apparently referring to. The angels are welcomed into the home, asked to give us their blessing, and to head back out. We see above that one of the angels is a kategor, a “prosecutor”. As we learned from the Arizal, saying shalom aleichem three times eliminates kitrug, “prosecution”, thus neutralizing that “bad” angel.

As for the argument that the song is requesting blessings from angels, I believe the second argument regarding the strange wording of mimelekh actually serves to neutralize the first argument. This line is meant to remind the singer and the audience that, of course, we are really just request a blessing from God Himself—through His messenger angels (something that happens many times in the Torah)—hence the words “From the King of Kings, the Holy One, blessed be He” (מִמֶּלֶךְ מַלְכֵי הַמְּלָכִים הַקָּדוֹשׁ בָּרוּךְ הוּא). We are welcoming the angels that are coming our way mimelekh, “from the King”, and who are blessing us mimelekh, “from the King”.

To summarize, Shalom Aleichem probably did not emerge among the early Tzfat Kabbalists, nor was it recited by the Arizal as some believe. It had only become widely popular by the middle of the 18th century. The identity of the author remains unknown.

So, should we recite Shalom Aleichem, or not? For those who have reservations (like Rabbi Emden, and apparently also the Vilna Gaon) and feel strongly that it should be skipped (or wish to mirror the early Tzfat Kabbalists as closely as possible), they have on whom to rely. However, it is difficult to avoid such a deeply-rooted and widely-accepted custom. Ultimately, the song is based on a Talmudic passage, speaks only of positive things, and affirms God is the “King of Kings”. It is a mystical, albeit mysterious song, and a beautiful, peaceful way to start the Sabbath festivities.