Tag Archives: Azazel

Should You Wear a Red String on Your Wrist?

Vestments of the kohen and kohen gadol

This week’s parasha, Tetzave, continues to outline the items necessary for the Mishkan, or Tabernacle, starting with the Menorah and going into a detailed description of the priestly vestments. One of the materials necessary for the holy garments is tola’at shani, commonly translated as “crimson wool”. This was a deep red fabric apparently derived from some kind of insect or worm (which is what the Hebrew “tola’at” means). The Torah speaks of this material in multiple places and in multiple contexts. Today, wearing a “tola’at shani”-like red string on the wrist has become very popular among those calling themselves “Kabbalists” and even by secular Jews and non-Jews. What is the significance of the red fibre, and is there any real spiritual meaning to the red string bracelet?

The First Red String

The earliest mention of a red string is in Genesis 38:27-30, where Tamar gives birth to her twin sons Peretz and Zerach:

And it came to pass in the time of her labour that, behold, twins were in her womb. And in her labour, one hand emerged, and the midwife took a red string [shani] and tied it to his hand saying, “This one came out first.” And he drew back his hand, and behold, his brother came out, and she said: “With what strength have you breached [paratz] yourself?” so his name was called Peretz. And afterward came out his brother that had the red string upon his hand, and his name was called Zerach.

Here, the red string is simply used to designate the firstborn. It didn’t work out as planned, for the other twin ended up coming first. The strong Peretz would go on to be the forefather of King David, and therefore Mashiach, who is sometimes called Ben Partzi. Clearly, wearing the red string wasn’t much of an effective charm for Zerach.

Temple Rituals

In addition to being used in the garments of the priests and various Temple vessels, tola’at shani was employed in a number of sacrificial rituals. In Leviticus 14 we read how someone who had healed from tzara’at, loosely translated as “leprosy”, would bring an offering of two birds which were dipped in a mixture containing the red dye. From this we see that tola’at shani (or shni tola’at, as it appears here) is not necessarily the string itself, but simply the red dye extracted from the insect. Similarly, the red dye was used in the preparation of the parah adumah, “Red Cow”, mixture (Numbers 19) which was used to purify the nation from the impurity of death.

The Talmud (Yoma 67a) describes how a red string was tied to the scapegoat on Yom Kippur. Recall that on Yom Kippur two goats were selected, one being slaughtered and the other being sent off into the wilderness, “to Azazel”. This “scapegoat” had a red string attached to it, and if the string turned white the people would know that their sins had been forgiven, as Isaiah 1:18 states: “…though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.” Here, then, the red string represents the sin of the people, bound to the scapegoat going to Azazel. If it turned white, it was a good sign, whereas if the string remained red it meant God was unhappy with the nation. Indeed, the Talmud (Yoma 39b) states that in the last forty years before the Second Temple was destroyed, the red string never once turned white.

Red in Kabbalah

In mystical texts, red is typically the colour of Gevurah or Din, severity and judgement. It was therefore generally discouraged to wear red. The Kabbalists often wore garments of all white, and this is still the custom during the High Holidays, a time of particularly great judgement. It was only centuries later that the Chassidic rebbe known as Minchat Eliezer (Rabbi Chaim Elazar Spira of Munkacz, 1868-1937) wrote how having a red cloth may serve to ward off judgement and severity. Another Chassidic rebbe, the Be’er Moshe (Rabbi Moshe Stern of Debreczin, 1890-1971) wrote that he remembered seeing people wear red strings as a child, but did not know why. Still, this does not appear to have been a very popular practice then, nor is it much of a custom among Chassidim now.

1880 Illustration of Rachel’s Tomb

Rather, the red string today has been popularized by The Kabbalah Centre and similar “neo-Kabbalah” movements that cater as much to non-Jews as to secular Jews. The Kabbalah Centre explains that the bracelets are made by taking a long red thread and winding it around Rachel’s Tomb seven times. The thread is then cut into wrist-size lengths, and if worn on the “left wrist, we can receive a vital connection to the protective energies surrounding the tomb of Rachel.” It is not clear where The Kabbalah Centre took this practice from. They claim that the red string wards off the evil eye. While they cite certain passages from the Zohar regarding the evil eye, there doesn’t seem to be any connection to a red string specifically.

The Zohar (II, 139a) does state in one place that the blue tekhelet represents God’s Throne, as is well-known, which means judgement, whereas the red shani is what emerges from the Throne and overpowers the judgement, thus bringing protection upon Israel. The Zohar relates shani to Michael, the guardian angel of Israel, and uses the metaphor of a worm eating through everything to explain the tola’at shani as eating up negative judgement. This is why the famous song Eshet Chayil (Proverbs 31) states that a “woman of valour” has her whole house dressed in shanim (v. 21). She guards her household in this way. (It should be noted that in this passage the Zohar states it is gold which represents Gevurah, and silver represents Chessed. White and red, meanwhile, appear to be aspects within the sefirah of Yesod.)

So, perhaps there is something to wearing a red string.

Bringing Back Shani

The Zohar does not speak of any red string at all, and instead explains the mystical power of the red dye called shani. It is the dye itself that has power, as we see from the Temple rituals noted above. It is well-known that the blue tekhelet dye comes from a certain mollusc or sea snail called chilazon. From where does shani come?

A female and male cochineal bug.

Professor Zohar Amar of Bar Ilan University researched the subject in depth and concluded that tola’at shani is similar to the cochineal insect, famous for producing the red dye carmine (E120) which is extensively used in the food industry. After a round-the-world search, it turned out that a cochineal-like insect is found in Israel as well, and grows on oak trees.

While the cochineal insect is native to South America (where most of the carmine is still produced), its Mediterranean cousin is the oak-dwelling kermes insect. Indeed, kermes was used across the Mediterranean world for millennia, being particularly prized in Greek, Roman, and medieval society. It is best known for its ability to dye wool extremely well. Jerusalem’s Temple Institute was convinced of the professor’s findings, and has begun harvesting the bugs and their red dye in order to produce authentic priestly vestments, as outlined in the Torah.

In light of this, a genuine red string “kabbalah” bracelet—with the protective powers mentioned in the Zohar—would undoubtedly have to be made of wool dyed with kermes red. And according to the Zohar, it probably shouldn’t be worn on the left wrist at all, but instead on the right leg, the body part which the Zohar (II, 148a) states that shani corresponds to.

Imitating Pagans

Judaism is very sensitive about not imitating the ways of the pagans, or darkei Emori. One example of this, as we wrote in the past, is kapparot, which the Ramban (among others) called an idolatrous practice. The Tosefta (Shabbat, ch. 7) has a list of practices that are considered darkei Emori, and one of them is “tying a red string on one’s finger”. So, already two millennia ago it seems there were Jews tying red strings on their body, and the Tosefta (which is essentially equivalent to the Mishnah) forbids it.

The Hindu kalava looks suspiciously similar to the “kabbalah” red string.

In fact, Hinduism has a custom to wear a red string called kalava around one’s wrist in order to ward off evil. This is precisely what The Kabbalah Centre claims their red string accomplishes. Based on this alone it would be best to avoid wearing such a red string. The Lubavitcher Rebbe was one of the recent authorities who stated that the red string should not be worn due to darkei Emori. Factoring in that the red string has no basis in the Zohar or any traditional Jewish mystical text is all the more reason to stay away from this practice.

The Names and Divisions of Angels

This week we commence the third book of the Torah, Vayikra (known in English as “Leviticus”). The Zohar begins its commentary on this section by reminding us that the ancient generations—even the lowest and most wicked among them—knew the secrets of the Hebrew alphabet and their permutations. Unfortunately, they sometimes used this knowledge to control angelic forces towards evil ends.

Mystical texts describe how angels are formed from God’s speech, and the different combinations of letters of their names give them their powers. The Arizal explains that this is the meaning of Psalms 33:6, “By the word of Hashem the Heavens were made, and by the breath of His mouth all their legions.” He further explains that this is the meaning behind the perplexing words in Exodus 20:14, where the Israelites apparently “saw” God’s voice at Mt. Sinai (וכל העם ראים את הקולת). The Arizal tells us what they saw were the angels emanating from God’s voice.

Elsewhere, the Arizal writes that starting in the generation of Enosh (the grandson of Adam), people began manipulating the divine names of angels to suit their own selfish, unholy desires. This is the meaning of Genesis 4:26, “And to Seth was also born a son, and he named him Enosh. It was then that God’s Name began to be profaned.” Rashi famously comments here that in Enosh’s generation idolatry emerged. The Arizal explains that it began with the manipulation of God’s ministering angels through their names.

‘Turris Babel’ by Athanasius Kircher

In fact, this is how the Tower of Babel was built. Moreover, the aim of its power-hungry builders was to move beyond angels and learn how to manipulate God Himself! The Torah introduces the passage by saying the Tower generation were “one people with one language” (Genesis 11:1). The Ba’al HaTurim points out that the term “one language” (שפה אחת) has the same gematria as “holy tongue” (לשון הקדש), since the people were experts in the mystical wisdom of Hebrew, the language with which God created the universe, and through which God’s angels emanate. Not surprisingly, the punishment of the Tower builders was to have their language confounded. Their knowledge of Hebrew was taken away, replaced with countless new tongues and dialects.

The Meaning of Vayikra

The Zohar’s commentary on this week’s parasha continues by explaining the meaning of the word Vayikra. This word symbolizes God’s primary legion of angels, the one that descended upon the Tent of Meeting together with the Clouds of Glory that rested upon it (Exodus 40:35). The Zohar says the Cloud was actually meant to conceal these angels.

The commanding “general” of this legion is the angel Michael (מיכאל). Below him, his chief officer is called Tzadkiel (צדקיאל). Tzadkiel stands over three “colonels”, each with a “lieutenant” angel, surrounding by twelve ministering angels (three on each of the four sides). The names of the three pairs are Kdumiel (קדומיאל) and Ariel (אריאל), Yofiel (יופיאל) and Chakhamiel (חכמיאל), and Raziel (רזיאל) and Rumiel (רומיאל). The source of their angelic glow is the letter Vav, which emanates from the inner Holy of Holies. Guarding the Holy is Kdumiel’s division, shining with the letter Yud. Before him is Yofiel’s division, shining with the letter Kuf; then Raziel’s with the letter Reish, and finally Tzadkiel with the letter Aleph. This order of letters spells Vayikra (ויקרא).

The Zohar goes on to explain the divisions of the second camp of angels that parallel this first camp. While the first is under the command of Michael, the second is under the command of his counterpart Gabriel (גבריאל). His subordinates are Chizkiel (חזקיאל), and under him are Gazriel (גזריאל) with his twelve angels, then Rahatiel (רהטיאל) and Kadshiel (קדשיאל) with their twelve, Kaftziel (קפציאל) and Aza’el* (עזאל) with their twelve, as well as the twelve around Shmiel (שמעיאל) and Ragshiel (רגשיאל), who move between the camps of Michael and Gabriel.

Altogether, these camps are symbolized by the letters of vayikra. The parasha begins with the words Vayikra el Moshe, “And He called unto Moses”. The Zohar suggests that when God called out to him, Moses saw a vision of all these angels in their divisions. Moses was entrusted with the wisdom of their names and powers—information that had been kept secret since the Great Dispersion and confounding of languages that followed the Tower episode.


The root of vayikra means to “call out” or to “name”, as the angels are brought into existence through God “calling” them forth and naming them with their task. It is not a coincidence that the term vayikra appears in Genesis 4:26, cited above, where we are told the names of angels began to be manipulated.

In total, the term vayikra appears 90 times in the Torah. Meanwhile, the gematria of the word “angel” (מלאך) is 91. The Kabbalists teach that when the value of a word is one more than another, this progression of numbers suggests that the former emanates from the latter. Indeed, we see how angels (91) emanate from God’s call, vayikra (90).

Of course, God is the Commander-in-Chief of all His legions (“Hashem Tzevaot”). He is most commonly referred to as the King, and this is how the angels address Him. The value of “king” (מלך) is also 90. This should remind us that while we read of angelic generals, colonels, and lieutenants, we must never forget Who is really in charge.

*Multiple Jewish texts identify Aza’el with a fallen angel (see our previous post here). The Talmud, among other sources, says that Aza’el never repented and remained chained in this physical world, hence the ritual of sending a goat to “Azazel”. If that is the case, how could he be one of the important angels listed above?

A careful reading of the Zohar shows that the angel Gazriel stands alone without a partner. All the other angels are paired. (Michael-Tzadkiel, Kdumiel-Ariel, Yofiel-Chakhamiel, Raziel-Rumiel, Gabriel-Chizkiel, Rahatiel-Kadshiel, Shmiel-Ragshiel.) Kaftziel is paired with Aza’el. Perhaps Aza’el was initially placed within this legion, but after his fall, Gazriel took his place.

This actually results in a much more balanced symmetry to the camps, as follows:

The Legend of Azazel: Scapegoat, or Fallen Angel?

The parashot of Acharei Mot and Kedoshim are typically read together. The major part of Acharei deals with various sacrificial services, most notably those concerning Yom Kippur, the Day of Atonement. Kedoshim begins by telling us that it is every person’s mission in life to become holy, just as God Himself is holy. This parasha is concerned with ethics, morality, and the path to righteousness, and includes the famous dictum to “Love your fellow as yourself” (Leviticus 19:18).

Perhaps the most peculiar item in this week’s portion is the mention of Azazel. As part of the atonement procedure on Yom Kippur, God commands Aaron to select (through a random lottery) two goats: one to be sacrificed, and another to be sent “to Azazel, in the wilderness” (Lev. 16:10). Aaron would place his hands on the goat to Azazel, and confess all of the people’s sins, as if transferring them to the animal (v. 21). The goat was then sent off into the wilderness.

The Rambam (Moreh Nevuchim, Part III, Ch. 46) writes that this act is completely symbolic. It does not mean that the High Priest literally transferred the people’s sins onto the goat, but that witnessing this act was meant to inspire a sense of repentance in the people, “as if to say, we have freed ourselves of our previous deeds, have cast them behind our backs, and removed them from us as far as possible.”

Temple Priests Bringing the Two Goats on Yom Kippur

Temple Priests Bringing the Two Goats on Yom Kippur

But what exactly is “Azazel”? What does the word mean? And why was the goat that symbolized sin sent towards it? The Talmud (Yoma 67b) maintains that the word Azazel can be broken down to mean “hardest of mountains”. This may be why some believe that the goat was sent off the edge of a mountainous cliff down to its death. The Talmud then presents the opinion of the school of Rabbi Ishmael: Azazel is a contraction of two names: Aza (or Uza) and Aza’el, and the goat atones for their sins. Other than this short allusion, this page of Talmud says nothing more.

Who were Aza and Aza’el?

The Fallen Angels

The origins of Aza and Aza’el are described in the Midrash (Yalkut Shimoni, Beresheet 44). When speaking of midrashic literature, it is important to remember the old adage that goes something like: one who believes that midrash is not true is a heretic, but one who believes that midrash is literally true is a fool. After all, the midrash corresponds to the third level of Torah study, referring to the metaphorical and allegorical level. (The other levels are peshat, the literal meaning; remez, the sub-textual meaning; and sod, esoteric/metaphysical secrets.)

Aza’el and Aza (also known as Shemhazai) were angels who saw the terrible sins of the people in the pre-Flood generation and scoffed at the pathetic humans. God told them that if they had been on Earth and given free will, they would succumb to their evil inclination far worse than people do. The angels wanted to prove God wrong, and asked Him to send them down to Earth into a physical body. God complied, and just as He had said, the angels quickly fell into all forms of evil.

Firstly, they could not hold back from the beautiful women, and this is what Genesis 6:2 means when it refers to divine beings mating with humans. The Midrash continues to say that it was these angels that taught women the art of makeup and provocative dress in order to entice men into further sin. These angels helped to bring the sword to the world, increasing bloodshed and warfare, as well as the consumption of animal meat, which was at this point forbidden, as God had only permitted Adam and Eve to consume fruits and vegetables.

Ultimately, the Midrash tells us that Shemhazai recognized his evil ways, and began a long process of repentance. No longer on Earth, but still not welcome back in the Heavenly realms, Shemhazai was suspended between the two worlds. Aza’el, on the other hand, refused to repent, and continued his evil ways. Thus, the Midrash concludes that the High Priest, in an act of repentance, would symbolically send the people’s sins towards Azazel, the one who taught mankind a new level of sinfulness, and refused to repent.

More details can be found in the Apocrypha. The Apocrypha refers to various ancient books which were not officially included in the Tanakh. Their origins are unclear, as is their authenticity. Nonetheless, they appear to have been well-known among the Jewish Sages, and are referenced in Talmud, Midrash, and Kabbalistic writings. One of the most famous of the apocryphal books is the Book of Enoch, which describes the journeys of Enoch (Hanoch, in Hebrew), who is briefly mentioned in Genesis 5:22. In the Book of Enoch, it is recorded that God sent the angel Raphael to apprehend Aza’el and stop his evil ways. Aza’el was chained to the “hardest of mountains” in the wilderness, as the Talmud quoted above explained. His painful imprisonment was a punishment, and the goats sent his way were a form of atonement for his sins. It is written there that at the End of Days, his time will come to an end, and Aza’el will finally be gone for good.