Tag Archives: Ramak

The 24 Ornaments of a Bride and Tikkun Leil Shavuot

In this week’s parasha, Emor, we read the command to count the days between Pesach and Shavuot. The Torah doesn’t explicitly say why we should do this. The Zohar (III, 97b) comments on the parasha that when the Torah says to count sheva shabbatot temimot (“seven complete [or pure] weeks”) there is a hint in there that we are supposed to become tamim, “pure”.  The point is to purify ourselves over these seven weeks in preparation for the great revelation at Sinai which took place on Shavuot. The Sages always describe the Sinai Revelation as a wedding between God and His people. In fact, the Zohar compares the counting of the seven weeks to a woman’s counting of seven “clean days” following menstruation and before immersing in the mikveh, after which she can reunite with her husband.

On the next page, the Zohar goes on to describe the “wedding”, where God is the “groom” and the Jewish people are the “bride”. The Zohar alludes to an ancient teaching that a bride should be adorned with 24 ornaments on her wedding day. This actually goes back to the Garden of Eden, where God made Eve and adorned her with 24 ornaments before her marriage to Adam. The Midrash (Beresheet Rabbah 18:1) brings Scriptural proof for this, citing Ezekiel 28:13, which says:

You were in Eden, the garden of God; every precious stone was your covering: the ruby [odem], the topaz [pitdah], and the diamond [yahalom], the beryl [tarshish], the onyx [shoham], and the jasper [yashfe], the sapphire [sapir], the carbuncle [nofech], and the emerald [varkat or bareket], and gold [zahav]; the workmanship of your settings and of your sockets was in you, in the day that you were created they were prepared.

If we count the precious stones and metals in the verse, we find only ten, not 24. However, one of the minor principles of Torah interpretation is when a general statement is introduced followed by a specific list, the general statement both includes the specific list, and adds to it (כְּלַל וּפְרַט, עָשָׂה אֶת הַכְּלַל מוֹסֶפֶת לַפְּרַט). So, since the verse begins with a general statement (“every precious stone”) and then goes on to list ten precious materials, we actually learn from this that there was a total of twenty precious materials. Rabbi Shimon ben Lakish held that one should also add “every precious stone” as a special stone of its own, meaning there were eleven stones, and since we double that, we have a total of 22. Plus, the verse goes on to speak of “your settings and your sockets”, bringing us to a total of 24 ornaments!

Alternatively, there is another Scriptural verse which brings us the 24 ornaments more simply and directly (though without mentioning Eden), listing explicitly what each specific piece of jewellery was. This is Isaiah 3:17-23, which says how the daughters of Zion were adorned with

…the anklets [‘achasim], and the ribbons [shvisim], and the crescents [saharonim]; the pendants [netifot], and the bracelets [sheyrot], and the veils [ra’alot]; the headdresses [pe’erim], and the armlets [tza’adot], and the sashes [kishurim], and the corselettes [batei hanefesh], and the amulets [lehashim]; the rings [taba’ot], and the nose-rings [nizmei ha’af]; the aprons [mahalatzot], and the shawls [ma’atafot], and the hair-coverings [mitpachot], and the girdles [charitim]; and the robes [gilyonim], and the fine linen [sadinim], and the headscarves [tzenifot], and the mantles [redimim]…

A count of these brings us 21. In addition, the verse that follows speaks of perfume [bosem], a belt [chagorah], and hair curls [petigil], giving us a total of 24 ornaments.

Elijah confronts the priests on Mount Carmel

Kabbalistically, these 24 ornaments have tremendous meaning. The sefirah of Chessed, which represents love and kindness, has three inner states, each of which is made up of 24 parts. (The gematria of Chessed [חסד] is 72, and dividing that number by three gives us 24.) This is why Eliyahu poured an extra three measures of water (water being Chessed) on his altar when he went head-to-head with the idolatrous priests (see I Kings 18). The altar which he built was actually made up of precious stones, too (I Kings 18:31-32), and then he had water poured from a jug called a kad (18:34). The gematria of kad (כד) is, as we might expect, 24.

That word is the exact same used when the Torah introduces Rebecca: “And it came to pass, before [Eliezer] had done speaking, that, behold, Rebecca came out… with her jug [kadah] upon her shoulder.” (Genesis 24:15). Kabbalistically, Rebecca is the embodiment of Chessed (see Zohar I, 137a) and she graciously provides water for Eliezer and all of his camels. Eliezer realizes that she is the perfect one for Isaac, and immediately proceeds to adorn her with all kinds of jewellery: “And it came to pass, as the camels had done drinking, that the man took a golden nose-ring of half a shekel weight, and two bracelets for her hands, of ten shekels weight of gold…” (Genesis 24:22) After the marriage was arranged, Eliezer gave the soon-to-be bride even more jewellery: “And the servant brought forth jewels of silver, and jewels of gold, and raiment, and gave them to Rebecca…”

If one looks carefully at these verses in Genesis 24 (not a coincidental number), and applies the classic rules of interpretation, they will find that Eliezer also brought for Rebecca 24 ornaments in preparation for her wedding! Rebecca went on to marry Isaac, and they had the purest love of all the forefathers and figures in the Torah. In fact, the first time that the Torah describes a husband loving his wife is with Isaac and Rebecca (Genesis 24:67). This is one reason why there was an old custom to adorn a Jewish bride with 24 ornaments. Alternatively, a husband may fulfil this special segulah by purchasing 24 adornments or pieces of jewellery for his wife—not necessarily all at once! (It is especially good to get white gold, since it is symbolic of Chessed, while yellow gold is the opposite, Gevurah.)

24 Ornaments of the Jewish People

If a bride is adorned with 24 ornaments, and the Jewish people were God’s “bride” at Sinai on Shavuot, what were our 24 ornaments? The Kabbalists teach us that these are the 24 books of the Tanakh! The Ba’al HaTurim (Rabbi Yakov ben Asher, 1269-1343, on Exodus 31:18) comments that every Torah scholar is adorned with these 24 books just as a bride is adorned with 24 ornaments. And this is why, the Zohar states, one should stay up all night on Shavuot and study Torah, especially the 24 books of the Tanakh (Zohar I, 8a; though in Zohar III, 98a there is an alternate suggestion to study the Oral Torah at night and the Tanakh in the day). In so doing, one is spiritually adorning himself in preparation for the wedding (as well as adorning the Shekhinah herself).

Today, it has become the norm in all synagogues and yeshivas around the world for everyone to stay up all night and learn Torah, as the Zohar instructs. This practice was initially popularized by the kabbalists of Tzfat in the 16th century. The earliest reference to a tikkun leil Shavuot, a fixed text of study for the night of Shavuot, comes from a letter of Rabbi Shlomo HaLevy Alkabetz (c. 1500-1576), most famous for composing Lecha Dodi. He was born to a Sephardic family in Thessaloniki, or Salonica (then in the Ottoman Empire, now the second largest city in Greece).

In 1533, Rabbi Yosef Karo (1488-1575) settled in Salonica (he was born in Toledo, Spain before the Expulsion), and the two became close. One Shavuot night, they stayed up together studying Torah as the Zohar states. (In addition to Tanakh, they learned a little bit of Mishnah). Suddenly, the Shekhinah filled Rabbi Karo and spoke out of his mouth! Such revelations would continue for most of his life, and are recorded in his book, Maggid Mesharim. On that Shavuot night, the Shekhinah revealed many secrets and instructions. Among other things, She instructed the pair to move to Israel. In 1535, they did so and settled in Tzfat, the centre of Jewish mysticism.

In Tzfat, the pair would meet the Ramak (Rabbi Moshe Cordovero, 1522-1570), who later married the sister of Rabbi Alkabetz. When he was twenty years old, the Ramak heard a Heavenly Voice instructing him to seek out Rabbi Alkabetz and learn Kabbalah with him. He did so, and went on to become the preeminent Kabbalist of Tzfat. He was succeeded in the position by the Arizal (Rabbi Isaac Luria, 1534-1572).

Meanwhile, Rabbi Yosef Karo (1488-1575) went on to publish the Shulchan Arukh, still the central code of Jewish Law. Interestingly, he did not write anything about a tikkun leil Shavuot in the Code. He believed that it was a practice for Jewish mystics, not for the average Jew. Nonetheless, the custom spread very quickly, first in Tzfat, then across all of Israel. When the Shelah HaKadosh (Rabbi Isaiah Horowitz, 1555-1630), who was born in Prague, moved to Israel in 1626 he wrote how all the Jews living in the Holy Land stay up all night on Shavuot. The Shelah put together a text of study of his own for the night of Shavuot. In addition to portions from the 24 books of the Tanakh, he added the first and last verse of every Mishnaic tractate, and the first and last verse of Sefer Yetzirah, along with the Zohar passage from this week’s parasha with which we began, and a recitation of the 613 mitzvot.

In the ensuing centuries, the custom spread further across the entire Jewish world. Various other tikkun texts have arisen over that time. Today, it is normal for many synagogues not to follow any tikkun at all, but simply to have lectures on different topics by multiple speakers, or to learn whatever Torah text people wish, and this is appropriate as well. Having said that, the original Kabbalistic way—as suggested in the Zohar, practiced by the early Tzfat mystics, and affixed by the Arizal—is to study specific portions from the 24 books of the Tanakh, together with mystical commentaries on them. (This is the version we used in our Tikkun Leil Shavuot, which has the proper text of study in both Hebrew and English, along with commentaries from the Zohar and Arizal.)

Rectifying Sinai and Purifying Our Souls

On a simple level, the word tikkun may refer to a “fixed” text of Torah, such as that which a ba’al kore uses to study the weekly parasha before reading it publicly in the synagogue. On a mystical level, “tikkun” refers to a spiritual rectification. When it comes to tikkun leil Shavuot, it is commonly taught that staying up all night in study is a spiritual rectification for what happened at Sinai over three millennia ago. At that time, the people had fallen asleep before God’s great revelation. Though some say they slept so that they would have energy to witness the tremendous event, others state that they were wrong to fall asleep so casually the night before the biggest day of their lives. Would a bride sleep so soundly the night before her wedding? Therefore, when we stay up all night on Shavuot, we are spiritually rectifying the mistake that the Jewish people made.

If we delve a little deeper, we might find an even greater tikkun on the night of Shavuot. The Talmud (Shabbat 146a) tells us: “When the Serpent came upon Eve, it infused in her a spiritual contamination [zuhama]. When Israel stood at Mount Sinai, the zuhama was removed.” Eve was the first to be decorated with 24 ornaments in the Garden of Eden, but then fell from grace and was spiritually contaminated. In a cosmic rectification, the Jewish people were “decorated” with 24 books of the Tanakh on Shavuot, and that impurity was removed. Each year since, we have a tremendous opportunity to cleanse ourselves of our own spiritual impurities on this special night, by immersing ourselves in the purifying words of our holy books.

Shalom Aleichem: To Sing or Not to Sing?

This week’s parasha, Vayak’hel, begins with God’s command for Israel to observe the Sabbath. One of the most famous symbols and songs of Shabbat is undoubtedly Shalom Aleichem, traditionally sung before the evening Kiddush. The lyrics of Shalom Aleichem welcome the Sabbath angels into our homes, and for many, serve to set the atmosphere of Shabbat itself. Yet, some of our wise rabbis in the past have cautioned against singing this song!  Where did Shalom Aleichem come from, and who composed it? When did Jews start singing this song, and why?

A Mystery Song

Much of the beloved Kabbalat Shabbat service is of very recent origin. For example, Lecha Dodi, through which we welcome in the Sabbath, was composed by Rabbi Shlomo HaLevi Alkabetz (c. 1500-1576). In fact, the eight verses of Lecha Dodi form an acrostic, the initials spelling his name. Born in Greece, Rabbi Alkabetz later moved to Tzfat, the capital of Jewish mysticism. He studied with Rabbi Yosef Karo (c. 1488-1575), famed composer of the Shulchan Arukh, and was the brother-in-law of the Ramak (Rabbi Moshe Cordovero, 1522-1570), who led the Tzfat Kabbalists before the arrival of the Arizal (Rabbi Itzchak Luria, 1534-1572). Many practices and customs of Judaism as we know them today originated in this incredible circle of Jewish mystics in Tzfat. One of these is the Kabbalat Shabbat prayer service.

Although Rabbi Alkabetz certainly wrote Lecha Dodi, there is little evidence that the wider Kabbalistic circle of Tzfat recited it in his own day. Contrary to popular belief, the Arizal did not sing this song. We know the Arizal’s teachings and practices from the writings of his students, namely his primary disciple, Rabbi Chaim Vital (1542-1620). In Pri Etz Chaim, Rabbi Vital makes it abundantly clear, and repeats multiple times, exactly how the Arizal would perform Kabbalat Shabbat (see, for example, Sha’ar Shabbat, ch. 6):

The Arizal would go out into the fields, and recite Psalm 20 (with the most important verse there being the tenth, which starts Hashem l’mabul yashav, the initials spelling a Name of God, יל״י). He would then say Bo’i Kalah, “come my Bride” three times (based on a teaching in the Talmud, Shabbat 119a). Following this, he would recite Psalm 92 (Mizmor shir l’yom haShabbat), which also contains hidden Names of God. That would be it for Kabbalat Shabbat. Rabbi Vital explains what happens next:

And when you come home from the synagogue after praying Arvit, stand at your place at the meal table, and say “This is the meal of the Holy Apple Orchard”… and after this, encircle the table around the right, silently. Then, take in your hands two bundles of hadas [myrtle branches], and join them together, and say the blessing [besamim] on them, and smell them. And afterwards, encircle the table a second time with the branches in hand, silently. Then say “Zachor v’shamor b’dibbur echad ne’emru”. Then say Kiddush.

After eating the meal, recite some passages from the tractate Shabbat, then birkat hamazon, then say again “Zachor v’shamor b’dibbur echad ne’emru”. Then say the blessing on the hadas a second time. In the morning, for the second Shabbat meal, do the same as you did the previous night [during the first meal], and do the same for the third meal [seudah shlishit].

‘Sabbath Queen’ by Abigail Sarah Bagraim

Thus, while we find some words that remind us of Lecha Dodi, such as “bo’i kalah” and “zachor v’shamor b’dibbur echad” (rearranged by Alkabetz in Lecha Dodi so that “shamor” comes first, to spell his name “Shlomo”), there is no mention of an entire Lecha Dodi. Nor is there any mention of singing Shalom Aleichem (or Eshet Chayil for that matter).

The Arizal did teach that one should say the words “shalom aleichem” three times at the end of Birkat Levanah, the blessing on a new moon recited once a month (Sha’ar Rosh Chodesh Chanukah v’Purim, ch. 3). This is still done today. The Arizal explained that saying shalom aleichem three times serves to remove any kitrug, spiritual “prosecution”. Based on this, some believe that whoever composed the song Shalom Aleichem incorporated this teaching of the Arizal. This is probably why some (especially Sephardis) have the custom to sing only the first three stanzas of Shalom Aleichem, thus saying the words “shalom aleichem” three times. Alternatively, this may be why many others (especially Ashkenazis) have the custom to recite each stanza of Shalom Aleichem three times.

The Origin of Shalom Aleichem

So where and when did Shalom Aleichem first appear? It seems the earliest source is Seder Tikkunei Shabbat, a work first published in Prague in 1641. I found a 1650 Krakow edition, and its Kabbalat Shabbat service and meal table ritual is nearly identical to what is generally practiced today. There are the six Psalms before Lecha Dodi, then Lecha Dodi itself, followed by two more Psalms. Then there is Shalom Aleichem, with all four stanzas—each to be read three times—followed by a prayer called Ribbon Kol HaOlamim, and then Eshet Chayil.

Cover of Tikkunei Shabbat

The cover page of the text says it is based on the teachings of the Arizal. It isn’t clear who exactly put the book together, though it appears to mention a “Rabbi Isaiah Nasi”. That may be Rabbi Isaiah Horowitz (Shelah HaKadosh, 1555-1630), a renowned Kabbalist who was born in Prague and lived for a time in Krakow. He got hold of the teachings of the Arizal, and towards the end of his life travelled to Tzfat in hopes of learning directly from the Arizal’s disciples. Considering that Seder Tikkunei Shabbat was first published twenty years after the Shelah left Europe, and eleven years after he died, it may have been put together by someone else, based on his teachings, which were in turn based on the Arizal.

Still, we do not know who it was that composed Shalom Aleichem. Whatever the case, within a century it had become popular enough that there were those who opposed singing it. One of these opponents was Rabbi Yakov Emden (1697-1776). He published his own siddur, where Shalom Aleichem is missing. He pointed out several issues with the song, including the absurd request for angels (and not God Himself) to bless us (although earlier Jewish works don’t necessarily have a problem with this), and the strange wording of the song, especially the word “mimelekh”. Amazingly, modern versions of Rabbi Emden’s Beit Yakov siddur do include Shalom Aleichem! The earliest Beit Yakov siddur I could find was from 1881, which has Shalom Aleichem in full, though without that problematic word mimelekh.

Shalom Aleichem, with commentary, in an 1881 Beit Yakov siddur

The commentary in this version of Beit Yakov explains that the custom of singing Shalom Aleichem is based on the Talmudic statement (Shabbat 119b) that when one comes home from the synagogue on Friday evening he is followed by two angels:

Rav Chisda said in the name of Mar Ukva: “One who prays on Shabbat evening and recites Vaykhulu, the two ministering angels who accompany the person at all times place their hands on his head and say to him: ‘And your iniquity has passed, and your sin has been atoned.’” [Isaiah 6:7] It was taught [in a Baraita]: Rabbi Yose bar Yehuda says: “Two ministering angels accompany a person on Shabbat evening from the synagogue to his home, one good angel and one bad angel. And when he reaches his home and finds a candle burning and a table set and his bed made, the good angel says: ‘May it be Your will that it shall be like this for another Shabbat.’ And the bad angel answers against his will: ‘Amen.’ And if the person’s home is not prepared for Shabbat in that manner, the bad angel says: ‘May it be Your will that it shall be so for another Shabbat,’ and the good angel answers against his will: ‘Amen.’”

It is these angels that Shalom Aleichem is apparently referring to. The angels are welcomed into the home, asked to give us their blessing, and to head back out. We see above that one of the angels is a kategor, a “prosecutor”. As we learned from the Arizal, saying shalom aleichem three times eliminates kitrug, “prosecution”, thus neutralizing that “bad” angel.

As for the argument that the song is requesting blessings from angels, I believe the second argument regarding the strange wording of mimelekh actually serves to neutralize the first argument. This line is meant to remind the singer and the audience that, of course, we are really just request a blessing from God Himself—through His messenger angels (something that happens many times in the Torah)—hence the words “From the King of Kings, the Holy One, blessed be He” (מִמֶּלֶךְ מַלְכֵי הַמְּלָכִים הַקָּדוֹשׁ בָּרוּךְ הוּא). We are welcoming the angels that are coming our way mimelekh, “from the King”, and who are blessing us mimelekh, “from the King”.

To summarize, Shalom Aleichem probably did not emerge among the early Tzfat Kabbalists, nor was it recited by the Arizal as some believe. It had only become widely popular by the middle of the 18th century. The identity of the author remains unknown.

So, should we recite Shalom Aleichem, or not? For those who have reservations (like Rabbi Emden, and apparently also the Vilna Gaon) and feel strongly that it should be skipped (or wish to mirror the early Tzfat Kabbalists as closely as possible), they have on whom to rely. However, it is difficult to avoid such a deeply-rooted and widely-accepted custom. Ultimately, the song is based on a Talmudic passage, speaks only of positive things, and affirms God is the “King of Kings”. It is a mystical, albeit mysterious song, and a beautiful, peaceful way to start the Sabbath festivities.

Chanukah & the Light of Creation

Tonight we light the second candle of Chanukah. As is well-known, Jewish law forbids using the light of the Chanukah candles for mundane purposes. At first thought, this is strange since all other holiday candles which we light may be used for mundane purposes. One can have a candle-lit dinner with the Shabbat candles on the table, yet the same cannot be done with Chanukah candles. This is actually why we light an additional (“ninth”) candle called the shamash, whose job is to “protect” the light of the Chanukah candles so that we do not inadvertently make use of them. Why is it that the Chanukah lights must not be used? To answer this question one must go all the way back, long before the Maccabees, to the very beginnings of the universe.

(Credit: Oren Rozen)

The Light of Creation

When we open the Torah we read how God’s first act of Creation within an empty universe was light. God said “Let there be light”, and so it was. A few paragraphs later, we read that on the fourth day God created various luminaries to “give light”, including the sun, moon, and stars. If the things that naturally give off light were only created on the fourth day, what was the light of the first day? The Sages (Chagigah 12a) grappled with this apparent contradiction:

But was the light created on the first day? …This is [to be explained] according to Rabbi Elazar, for Rabbi Elazar said: “The light which the Holy One, blessed be He, created on the first day, one could see thereby from one end of the universe to the other; but as soon as the Holy One, blessed be He, beheld the generation of the Flood and the generation of the Dispersion, and saw that their actions were corrupt, He arose and hid it from them…”

Now the Tannaim [differ on the point]: “The light which the Holy One, blessed be He, created on the first day one could see and look thereby from one end of the universe to the other,” this is the view of Rabbi Yaakov. But the Sages say: It is identical with the luminaries; for they were created on the first day, but they were not “hung up” until the fourth day.

On the simple level, the Sages agreed that the light of the first and fourth days were really the same thing: while God created the luminaries on the first day, He only set them in their specific locations and orbits on the fourth day. This is in line with another opinion that God really created everything in one instant, on the first day, and on the subsequent “days” He simply put everything in its place. [For an explanation of this, see the Ramak’s (Rabbi Moshe Cordovero, 1522-1570) Pardes Rimonim 13:5.]

On a deeper level, as expounded by Rabbi Elazar and Rabbi Yaakov, the light of the first day was an entirely different entity. Unlike the familiar, physical light of the fourth day, the light of the first day was a special, mystical light which contained the power for one to see across the universe, through all of time and space. According to the Zohar, this is the special radiance of Creation, from which all things were fashioned (as we’ve written in the past). This idea is already noted in the Midrash (Beresheet Rabbah 12:6) which adds that “the light with which God created the universe [was given] to Adam, and with it he stood and gazed from one end of the universe to the other.”

Adam and Eve were given this Divine Light as a gift. However, once they consumed the Forbidden Fruit, that light disappeared. In fact, the Kabbalists explain that initially Adam and Eve saw the world entirely through this Divine Light, and themselves glowed with this light, and when they looked upon each other, they saw only each other’s light, which is why they were unashamed. After consuming the Fruit, that light disappeared, and when they looked upon each other they saw frail skin, and all of its lustful trappings. This is why they were suddenly ashamed and wanted to hide.

The Kabbalists explain that this is the mystical meaning of the interplay between the words for “light”, or (אור), and “skin”, ‘or (עור), words that sound the same and are written which just one substitution: The singular, holy aleph replaced with the ‘ayin, which literally means “eye” and represents this illusory physical world. Before the Fruit, Adam and Eve saw light; afterwards they saw only skin. (See Beresheet Rabbah 20:12, Zohar I, 22b, and Pardes Rimonim 13:3)

This is the deeper meaning behind God’s first word to Adam and Eve after their fall: “Ayeka?” The term literally means “Where are you?” referring to the fact that Adam and Eve were hiding because they were ashamed. Of course, God knew exactly where they were. So what did He mean by Ayeka?

Ayeka

The Sages explain that the original Divine Light, called Or HaGanuz, the “hidden light”, only shone for 36 hours. There are two opinions as to how one reaches this number. The first (as in Beresheet Rabbah cited above) is that the Light shone for the entire 24 hours of the first Shabbat, as well as the 12 hours preceding that Shabbat, from the moment that Adam and Eve were created on the sixth day. The light disappeared at Shabbat’s conclusion, which is one reason why we perform Havdallah at the end of Shabbat, symbolizing our hope for the restoration of that Light. Alternatively, the Light shone for the first three days of Creation, before those physical luminaries were created on the fourth day. Since each day had 12 hours of light and 12 hours of dark, that means each of the three days had 12 hours of this Divine Light, totalling up to 36.

In reality, both opinions are correct. The Divine Light initially shone for those first three days—36 hours—and was then concealed by the new physical luminaries. On the sixth day, when God created Adam and Eve, He entrusted them with that Light, and they possessed it for 36 hours until the conclusion of the first Sabbath, neatly mirroring those 36 hours of the first three days. When Adam and Eve consumed the Fruit, the Light disappeared from them, and was taken back up to Heaven, stored beneath God’s Throne (Yalkut Shimoni, Isaiah 499). This brings us back to Ayeka. The gematria of that word (איכה) happens to be 36. When God called out to Adam and Eve and said Ayeka, what He meant was not “where are you?” but “where is the Light?”

‘Garden of Eden’, by Thomas Cole

Restoring the Light

While the Or HaGanuz has been hidden for now, it reveals itself in this world through several channels. We find that same number 36 in a number of important places. Most notably, when we look at the actual number of texts in our Holy Scriptures, we find that there are 36: Genesis, Exodus, Leviticus, Numbers, Deuteronomy, Joshua, Judges, Samuel, Kings, Isaiah, Jeremiah, Ezekiel, Hoshea, Yoel, Amos, Ovadiah, Yonah, Micah, Nahum, Habakkuk, Tzephaniah, Haggai, Zechariah, Malachi, Psalms, Proverbs, Job, Song of Songs, Ruth, Lamentations, Ecclesiastes, Esther, Daniel, Ezra, Nehemiah, and Chronicles. While we generally group these texts into 24 “books” of the Tanakh for convenience, there are exactly 36 independent works. This reminds us that the Holy Scriptures contain within them the Divine Light, and through the study of these texts we can receive a glimpse of it.

Similarly, the Bnei Issachar (Rabbi Tzvi Elimelech Shapiro, c. 1783-1841) points out that there are 36 tractates to the Talmud. Study of Torah—whether Written (Tanakh) or Oral (Talmud)—serves to restore that Divine Light little by little. Naturally, this parallels the idea of the 36 Perfect Tzaddikim. The Sages state that in every generation there are exactly 36 perfectly righteous people alive, and the world only continues to exist in their merit (Sanhedrin 97b). They contain a spark of that Divine Light within them. And on the calendar, too, there is a month in which finding the Or HaGanuz is particularly auspicious. This is the month of Kislev which, the Bnei Issachar points out, is a contraction of kis (כס) and lev (לו), the former meaning “hidden” and the latter having the value of 36.

That brings us right back to Chanukah, which begins on the 25th of Kislev. We light one candle on the first day, two on the second, and so on. The total number of candles lit over the course of eight days just happens to be 36. The Chanukah lights are symbolic of that special holy light of Creation. One should not for a moment think that these are just mundane, physical lights. And this is the mystical reason for why Jewish law forbids using the Chanukah lights for any purpose. One should constantly meditate on the fact that the light of the Menorah represents the Or HaGanuz, the light of Creation, the holy light with which Adam and Eve “saw from one end of the universe to the other.”

Jewish law also requires one to place their Menorah in a widely visible spot. We must “publicise the miracle” as much as possible, hence the many public Menorah-lighting ceremonies that take place around the world, and the many electronic chanukiahs found outside synagogues, in shopping malls, and on the roofs of cars. We are not just commemorating the Chanukah miracle, but the Jewish mission to bring light into the world (as Isaiah 42:6 famously states).

From a mystical perspective, we light 36 candles to remind ourselves that our mission is to rectify the cosmos and reveal the primordial holy light of God. We remind ourselves that we should strive to return to being like the original Adam and Eve, who glowed with this light, and who looked past the deceptive skin to see the pure light within each other. When we learn to recognize each other’s inner glow, then we will merit a return to the luminous Garden of Eden.

Chag Sameach!