Tag Archives: Evil Eye

Why is Adar Lucky?

Today is the first day of Adar, the happiest month on the Jewish calendar. The Talmud (Ta’anit 29a-b) famously states that “when Adar enters, we increase in joy” and that this is the month when a Jew’s fortune is especially “healthy” and good. However, no clear explanation is given as to why this is the case. Presumably it is because the holiday of Purim is in Adar, with Purim being particularly joyous, and associated with luck (Purim means “lotteries”). Yet, the same Talmudic tractate suggests that Tu b’Av and Yom Kippur were the most joyous days of the Jewish calendar, not Purim. How did Adar become so happy and lucky?

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The Passover Seder and the Order of Creation

This Friday night we will be gathering to celebrate the holiday of Pesach. It will also be Shabbat, which is highly appropriate because Pesach and Shabbat are deeply intertwined. While Shabbat is mentioned multiple times in the Torah, there are two places in particular where Shabbat is commanded and explained: the two times that the Torah records the Ten Commandments. These two passages are nearly identical except for, primarily, the description of Shabbat. In the first account, Exodus 20, we read:

Remember the Sabbath day to keep it holy. Six days shall you labour, and do all your work; but the seventh day is a Sabbath unto Hashem, your God, in it you shall not do any manner of work; you, your son, your daughter, your servant, your maid, your cattle, and the stranger that is within your gates; for in six days Hashem made Heaven and Earth, the sea, and all that is in them, and He rested on the seventh day; therefore Hashem blessed the Sabbath day, and sanctified it.

In the second account, Deuteronomy 5, we read:

Observe the Sabbath day to keep it holy, as Hashem your God commanded you. Six days shall you labour, and do all your work; but the seventh day is a Sabbath unto Hashem your God, in it you shall not do any manner of work; you, your son, your daughter, your servant, your maid, your ox, your donkey, your cattle, and the stranger that is within your gates; that your servant and your maid may rest as well as you. And you shall remember that you were a slave in the land of Egypt, and Hashem your God brought you out from there by a mighty hand and by an outstretched arm; therefore Hashem your God commanded you to keep the Sabbath day.

There is one striking difference between the two passages. In the first, the reason for keeping Shabbat is to remember Creation, since God created the universe in six days and rested on the seventh. In the second, the reason for keeping Shabbat is to remember the Exodus, and that we were once slaves that worked tirelessly seven days a week, and now that God has freed us from slavery we should make sure to take a day off. We must never be slaves again, nor are we allowed to enslave others, with God insisting that even our servants and maids “rest as well as you”.

From this alone, we see a strong link between Pesach and Shabbat. In fact, each Shabbat when we recite Kiddush we mention how it is both to commemorate maase Beresheet and yetziat Mitzrayim, both Creation and the Exodus. In the Talmud (Rosh Hashanah 10b), the Sages even debate when God had created the world: was it in Tishrei, or in Nissan, the month of the Exodus? And just as Shabbat is a “mini-Pesach”, Pesach is a “mini-Shabbat”. When the Torah commands counting the Omer, it says to being the count mimachorat haShabbat, “from the day after Shabbat”, which is actually referring to Pesach, when we begin the count (on the second night).

The Kabbalists explain that the events of Pesach and the Exodus rectified all of Creation. The Ten Plagues corresponded to the Ten Utterances of Creation, and each one was meant to repair a level of Creation that the Egyptians had tarnished. (See ‘The Ten Plagues: Destroying the Idols of Egypt’ in Garments of Light.) On a mystical level, the Pesach seder reflects this, too.

The Hand of God

The seder has a total of fourteen distinct steps, easily remembered by the classic rhyme: Kadesh, Urchatz; Karpas, Yachatz; Maggid, Rochtza; Motzi Matzah; Maror, Korech; Shulchan Orekh; Tzafun, Barech; Hallel, Nirtzah. (Note that it is sometimes said that there are 15 steps to the seder, with Motzi and Matzah separated as two, even though they are one mitzvah of eating the matzah.) The fact that there are fourteen parts to the seder is not coincidental. The most common way, by far, that the Torah describes the Exodus is by saying God took us out of Egypt b’Yad chazakah, “with a strong Hand”. The term appears twelve times throughout the Tanakh. Additionally, we read of “God’s Hand” during the plague of pestilence (Exodus 9:3), and at the end of the account of the Splitting of the Sea:

And God saved Israel from the hand of Egypt [mi’yad Mitzrayim], and Israel saw the Egyptians dead upon the sea shore. And Israel saw the great Hand [haYad hagedolah] with which God acted in Egypt, and the people feared God; and they believed in God and in His servant Moses. (Exodus 14:31)

Altogether, we see the word yad used in metaphorical fashion fourteen times with regards to the Exodus, particularly in relation to God’s great “Hand”. And the gematria of yad (יד) itself is 14. I believe this is why the Sages specifically wanted to immortalize the seder with 14 steps.

Similarly, God created His universe with that same great “Hand”. When we look closer at the account of Creation, we find that there are a total of fourteen distinct actions associated with Creation itself:

First there’s “Beresheet”, which the Sages identify as the first Divine Utterance, the origin of time. Then God “hovered over the waters”, said to refer to the formation of the soul of Mashiach (see Ba’al HaTurim on Genesis 1:2, and Beresheet Rabbah 2:4). Then came (3) the creation of light, followed by (4) the division of the waters on the Second Day. On that same day, God created (5) various spiritual worlds, including the heavenly Gan Eden and Gehinnom, and populated them with all the Heavenly hosts and angels (See Yalkut Shimoni, chapter 1, passage 5, and Beresheet Rabbah 1:3). On the Third Day, God (6) gathered all the waters below, and (7) made the dry land appear, before (8) filling the earth with vegetation. Next came (9) the stars on Day Four, followed by (10) fish and birds on the Fifth Day. That day, there was an additional creation described in and of itself (11): “And God created the taninim hagedolim…” (Genesis 1:21). Then came the (12) land animals, (13) mankind, and lastly, (14) Shabbat.

All in all, we see fourteen clear steps in the account of Creation. It is worth mentioning here that in Hebrew the account of Creation (Genesis 1:1-2:4) was traditionally referred to as Seder Beresheet Bara. Creation is a “seder”, too. And we find very clear parallels between the fourteen parts of the Pesach seder and the fourteen steps of the Creation seder.

The Seder of the First Day

The first step of the seder is Kadesh, when we recite Kiddush and drink the first cup of wine. This officially ushers in the holiday and begins the seder process, just as the first act of Creation, Beresheet, officially started time and began the Creation process.

The next step is Urchatz, washing the hands with a cup of water. This first washing is done without saying the blessing al netilat yadayim. In Creation, the second verse tells us that God’s spirit “hovered over the waters.” The connection is self-explanatory.

Eating a vegetable (Karpas) is the third step and parallels the creation of light. As we’ve written in the past, the word “karpas” appears just once in the Tanakh, in describing the great banquet of King Achashverosh at the start of Megillat Esther. It refers to a certain fabric used in the drapery of the banquet. Mystically, it alludes to the fabric of Joseph’s special coat, which was dipped in blood and presented before Jacob to “confirm” the youth’s death. Jacob hence plunged into inconsolable grief and tears. We symbolically dip the karpas into salt water “tears”. That event—the sale of Joseph—led to the young man’s rise to power in Egypt, followed by his family’s settlement there, and then their enslavement, and finally the Exodus. So, that coat—karpas—set the events of the Exodus in motion. While the sale of Joseph was a sad and tragic event, Joseph himself insisted at the end that it was meant to be and all is well.

Joseph is credited for possessing a good eye, and for always being able to see the good within each situation, no matter how terrible (this is why the Sages state that, in turn, the evil eye did not affect Joseph at all). This is the secret of the Light of the First Day. It is called Or HaGanuz, the “hidden light”, and is the light through which Tzadikim see the world. On a deeper level, it represents that hidden divine light concealed within all things. A person like Joseph can see beyond the external into the Godly light inside. Ultimately, the light of the First Day of Creation was preserved for the righteous in the World to Come (Chagigah 12a), who will bask in this divine light in their own Heavenly “banquet”, draped with hur karpas u’techelet, “white, pure, and blue fabrics” (Esther 1:6).

Becoming Angels

Step four in the seder is Yachatz, when the middle matzah is divided in half. This clearly corresponds to the next act of Creation, the division of the waters on the Second Day. On this day, God made a permanent separation between the “upper waters” (Heaven, or Shamayim in Hebrew, literally “waters there”) and the “lower waters” that cover over 70% of the Earth. The larger waters, the Heavens, were concealed by God, just as the larger piece of matzah from the Yachatz is concealed for the afikoman.

Next comes Maggid, when we relate the Exodus story. This corresponds to the other major event of the Second Day. Though not mentioned explicitly in the Torah, the Sages state that God populated the Heavens with angels on this day. Appropriately, the term maggid is actually used to refer to angels that communicate with people. Throughout history, multiple rabbis described how they received mystical secrets from Heaven through a “speaking angel”, a Maggid. The most famous example of this is Rabbi Yosef Karo (1488-1575), the compiler of the Shulchan Arukh, who was visited by a Maggid and recorded some of these teachings in a book called Maggid Mesharim. An angel is first and foremost a messenger, and our job during the Maggid portion of the seder is to act as messengers in relaying the Exodus experience to our children.

Water, Land, and Passover Stars

After Maggid, we get up to wash netilat yadayim, this time with a blessing, because we then sit down to eat the matzah. We say the regular blessing of hamotzi lechem min ha’aretz, as well as the extra blessing al achilat matzah. These two steps, Rochtza and Motzi Matzah, parallel the next two steps of Creation (Genesis 1:9-10):

And God said: “Let the waters under the Heavens be gathered together unto one place, and let the dry land appear.” And it was so. And God called the dry land “Earth” [eretz], and the gathering together of the waters He called “Seas” [yamim]; and God saw that it was good.

Washing the hands is an allusion to the gathering of the waters, and eating the “bread of the earth” (lechem min ha’aretz) alludes to the formation of the earth, eretz.

Right after this, still on the Third Day, God seeded the earth with various grasses, herbs, and vegetation. Needless to say, this corresponds to the next part of the seder, Maror, eating the bitter herbs.

Then comes the “sandwich”, Korech, a combination of matzah, maror, and charoset. As we read in the Haggadah, this step was instituted by Hillel, who would make a sandwich from the matzah, maror, and korban pesach, the Passover lamb, since the Torah explicitly states that the lamb should be eating al matzot u’merorim. Today, we don’t have the Passover lamb, but we do still make a korech. What does the Passover lamb have to do with the next act of Creation, the formation of stars?

Images of the constellation Ares, including a stylized version in the shape of a ram.

The Sages teach that God’s command to take sheep specifically was not without meaning. This is because the Egyptians were idol worshippers and astrologers, and the sheep was one of their main idols and astrological signs. In fact, this bit of astrology remains with us to this day, for the astrological sign of the month of Nissan (or April) is Ares, a constellation in the shape of a ram or sheep. God wanted us to barbeque sheep in particular to once again show the folly of the Egyptians’ idolatrous beliefs. God created the stars as chronological markers for “the holidays, days, and years” (Genesis 1:14), not for them to be worshipped.

Completing the Seder, Completing Creation

We now enter Shulchan Orekh, the great feast. We traditionally begin with eggs and fish. In fact, in olden days some had the custom to place an egg and fish on the seder plate itself (today we retain the egg, but not the fish). These represent what was created next, on the Fifth Day: fish and birds.

The Torah then states that God created taninim gedolim. There is much discussion about the identity of these mysterious creatures. Is the Torah speaking about whales (which, though in the seas, are not fish so they are listed as a separate creation)? Perhaps they are dinosaurs, since the most literal translation would be “large reptiles”? The Sages say that these actually refer to two great monsters or dragons (see Rashi on Genesis 1:21). God created a pair of them, male and female, but they were so terrible that He slayed one immediately afterwards so that the two wouldn’t reproduce. The remaining Leviathan is hidden away, perhaps prowling the deep seas.

‘Destruction of Leviathan’ by Gustav Doré

The taninim correspond to Tzafun, the consumption of the afikoman. The hidden half of the matzah is finally revealed and eaten to end the meal. This alludes to the meal at the End of Days, the so-called “Feast of Leviathan”, where the righteous will join Mashiach in partaking of the Leviathan’s flesh. (For more on the connection between Mashiach and the afikoman, see here.)

With the meal officially over, we recite Birkat Hamazon, and drink the third cup of wine with it. Our rabbis state that on holiday feasts one should especially partake of meat, which is the centrepiece of the holiday meal. (There is even a halachic debate whether one fulfils the mitzvah of a holiday meal if they did not consume meat, and another discussion of whether poultry is okay.) In Temple times, the major part of the meal was the roasted lamb itself. Having consumed our fill of meat, we say Barech to thank Hashem for it. This corresponds to the creation of land animals on the Sixth Day, without which we wouldn’t have the meat to begin with.

We then recite Hallel, to literally “praise” God. This corresponds to the creation of man, who was made for this very purpose. Unlike all other creations, man alone is capable of contemplating Hashem, serving Him, and connecting to Him.

Finally, there’s Nirtzah, where we declare our hope for the Final Redemption, and that next year we will be able to celebrate our complete freedom in Jerusalem. This is a wish for the coming of the great age at the End of Days that will be kulo Shabbat, an everlasting “Sabbath”. Of course, it parallels the final act of Creation: Shabbat.

In these ways, the Passover seder neatly parallels the seder of Creation. To summarize:

Chag Pesach Kasher v’Sameach!

Should You Wear a Red String on Your Wrist?

Vestments of the kohen and kohen gadol

This week’s parasha, Tetzave, continues to outline the items necessary for the Mishkan, or Tabernacle, starting with the Menorah and going into a detailed description of the priestly vestments. One of the materials necessary for the holy garments is tola’at shani, commonly translated as “crimson wool”. This was a deep red fabric apparently derived from some kind of insect or worm (which is what the Hebrew “tola’at” means). The Torah speaks of this material in multiple places and in multiple contexts. Today, wearing a “tola’at shani”-like red string on the wrist has become very popular among those calling themselves “Kabbalists” and even by secular Jews and non-Jews. What is the significance of the red fibre, and is there any real spiritual meaning to the red string bracelet?

The First Red String

The earliest mention of a red string is in Genesis 38:27-30, where Tamar gives birth to her twin sons Peretz and Zerach:

And it came to pass in the time of her labour that, behold, twins were in her womb. And in her labour, one hand emerged, and the midwife took a red string [shani] and tied it to his hand saying, “This one came out first.” And he drew back his hand, and behold, his brother came out, and she said: “With what strength have you breached [paratz] yourself?” so his name was called Peretz. And afterward came out his brother that had the red string upon his hand, and his name was called Zerach.

Here, the red string is simply used to designate the firstborn. It didn’t work out as planned, for the other twin ended up coming first. The strong Peretz would go on to be the forefather of King David, and therefore Mashiach, who is sometimes called Ben Partzi. Clearly, wearing the red string wasn’t much of an effective charm for Zerach.

Temple Rituals

In addition to being used in the garments of the priests and various Temple vessels, tola’at shani was employed in a number of sacrificial rituals. In Leviticus 14 we read how someone who had healed from tzara’at, loosely translated as “leprosy”, would bring an offering of two birds which were dipped in a mixture containing the red dye. From this we see that tola’at shani (or shni tola’at, as it appears here) is not necessarily the string itself, but simply the red dye extracted from the insect. Similarly, the red dye was used in the preparation of the parah adumah, “Red Cow”, mixture (Numbers 19) which was used to purify the nation from the impurity of death.

The Talmud (Yoma 67a) describes how a red string was tied to the scapegoat on Yom Kippur. Recall that on Yom Kippur two goats were selected, one being slaughtered and the other being sent off into the wilderness, “to Azazel”. This “scapegoat” had a red string attached to it, and if the string turned white the people would know that their sins had been forgiven, as Isaiah 1:18 states: “…though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.” Here, then, the red string represents the sin of the people, bound to the scapegoat going to Azazel. If it turned white, it was a good sign, whereas if the string remained red it meant God was unhappy with the nation. Indeed, the Talmud (Yoma 39b) states that in the last forty years before the Second Temple was destroyed, the red string never once turned white.

Red in Kabbalah

In mystical texts, red is typically the colour of Gevurah or Din, severity and judgement. It was therefore generally discouraged to wear red. The Kabbalists often wore garments of all white, and this is still the custom during the High Holidays, a time of particularly great judgement. It was only centuries later that the Chassidic rebbe known as Minchat Eliezer (Rabbi Chaim Elazar Spira of Munkacz, 1868-1937) wrote how having a red cloth may serve to ward off judgement and severity. Another Chassidic rebbe, the Be’er Moshe (Rabbi Moshe Stern of Debreczin, 1890-1971) wrote that he remembered seeing people wear red strings as a child, but did not know why. Still, this does not appear to have been a very popular practice then, nor is it much of a custom among Chassidim now.

1880 Illustration of Rachel’s Tomb

Rather, the red string today has been popularized by The Kabbalah Centre and similar “neo-Kabbalah” movements that cater as much to non-Jews as to secular Jews. The Kabbalah Centre explains that the bracelets are made by taking a long red thread and winding it around Rachel’s Tomb seven times. The thread is then cut into wrist-size lengths, and if worn on the “left wrist, we can receive a vital connection to the protective energies surrounding the tomb of Rachel.” It is not clear where The Kabbalah Centre took this practice from. They claim that the red string wards off the evil eye. While they cite certain passages from the Zohar regarding the evil eye, there doesn’t seem to be any connection to a red string specifically.

The Zohar (II, 139a) does state in one place that the blue tekhelet represents God’s Throne, as is well-known, which means judgement, whereas the red shani is what emerges from the Throne and overpowers the judgement, thus bringing protection upon Israel. The Zohar relates shani to Michael, the guardian angel of Israel, and uses the metaphor of a worm eating through everything to explain the tola’at shani as eating up negative judgement. This is why the famous song Eshet Chayil (Proverbs 31) states that a “woman of valour” has her whole house dressed in shanim (v. 21). She guards her household in this way. (It should be noted that in this passage the Zohar states it is gold which represents Gevurah, and silver represents Chessed. White and red, meanwhile, appear to be aspects within the sefirah of Yesod.)

So, perhaps there is something to wearing a red string.

Bringing Back Shani

The Zohar does not speak of any red string at all, and instead explains the mystical power of the red dye called shani. It is the dye itself that has power, as we see from the Temple rituals noted above. It is well-known that the blue tekhelet dye comes from a certain mollusc or sea snail called chilazon. From where does shani come?

A female and male cochineal bug.

Professor Zohar Amar of Bar Ilan University researched the subject in depth and concluded that tola’at shani is similar to the cochineal insect, famous for producing the red dye carmine (E120) which is extensively used in the food industry. After a round-the-world search, it turned out that a cochineal-like insect is found in Israel as well, and grows on oak trees.

While the cochineal insect is native to South America (where most of the carmine is still produced), its Mediterranean cousin is the oak-dwelling kermes insect. Indeed, kermes was used across the Mediterranean world for millennia, being particularly prized in Greek, Roman, and medieval society. It is best known for its ability to dye wool extremely well. Jerusalem’s Temple Institute was convinced of the professor’s findings, and has begun harvesting the bugs and their red dye in order to produce authentic priestly vestments, as outlined in the Torah.

In light of this, a genuine red string “kabbalah” bracelet—with the protective powers mentioned in the Zohar—would undoubtedly have to be made of wool dyed with kermes red. And according to the Zohar, it probably shouldn’t be worn on the left wrist at all, but instead on the right leg, the body part which the Zohar (II, 148a) states that shani corresponds to.

Imitating Pagans

Judaism is very sensitive about not imitating the ways of the pagans, or darkei Emori. One example of this, as we wrote in the past, is kapparot, which the Ramban (among others) called an idolatrous practice. The Tosefta (Shabbat, ch. 7) has a list of practices that are considered darkei Emori, and one of them is “tying a red string on one’s finger”. So, already two millennia ago it seems there were Jews tying red strings on their body, and the Tosefta (which is essentially equivalent to the Mishnah) forbids it.

The Hindu kalava looks suspiciously similar to the “kabbalah” red string.

In fact, Hinduism has a custom to wear a red string called kalava around one’s wrist in order to ward off evil. This is precisely what The Kabbalah Centre claims their red string accomplishes. Based on this alone it would be best to avoid wearing such a red string. The Lubavitcher Rebbe was one of the recent authorities who stated that the red string should not be worn due to darkei Emori. Factoring in that the red string has no basis in the Zohar or any traditional Jewish mystical text is all the more reason to stay away from this practice.