Tag Archives: Priestly Vestments

How the Priestly Garments Atoned for the People

Priests in the Temple (Courtesy: Temple Institute)

This week’s parasha, Pekudei, describes how the Mishkan and all of its vessels were created, together with the special priestly garments. The parasha ends with the formal initiation of Aaron and his sons into the priesthood through their ritual purification, anointment, and donning of the sacred vestments. Our Sages famously state (Zevachim 88b) that the vestments of the Kohen Gadol, the High Priest, atoned for the sins of the people:

The tunic atoned for bloodshed… the breeches atoned for lewdness… the turban made atonement for arrogance… the belt atoned for [impure] meditations of the heart… the breastplate atoned for neglect of civil laws… the apron atoned for idolatry… the cloak atoned for slander… and the crown, worn on the forehead, atoned for brazenness.

The tunic (kutonet) was a simple white garment worn over the body which all of the priests (not only the High Priest) wore. The Talmud says it atoned for bloodshed, and proves it through a gzerah shavah, a form of interpretation where the exact same word (or root of a word) appears in two different contexts, thus allowing a connection between the two to be made. In Genesis 37:31 we read how, following the sale of Joseph, his brothers slaughtered a goat and dipped Joseph’s special robe in the goat’s blood. They used the bloodied robe as proof to show their father Jacob that Joseph had been murdered or devoured by an animal. The word used for Joseph’s robe is kutonet, too, that same word used for the Kohen’s garment. From this we can learn that the kutonet atoned for bloodshed.

The breeches (michnasei bad) were white pants worn to cover up the lower half of the body, and atoned for sexual immorality. The Talmud proves it from an explicit verse in the Torah (Exodus 28:42) where God commanded that the pants be made “to cover up the flesh of their nakedness”. The Hebrew term here is precisely the one used to denote sexual indecency (‘ervah, or gilui arayot).

The white turban (mitznefet) atones for arrogance. Rabbi Hanina explains here that the turban was worn on the head at the very top of the body, and thus atoned for people who similarly put themselves “at the head” above other people.

The last of the four garments worn by the regular priest is the avnet, a sash or belt. Made of red, blue, and purple wool, it was the only multi-coloured garment worn by the regular priest. It atoned for impure thoughts, and the Talmud says we know this from the fact that the sash was worn tied around the heart. Contrary to what we may expect, this was not a belt to hold up the pants, but rather an independent garment wrapped around the upper body.

In Jewish thought, the heart is the seat of the yetzer hara, the evil inclination, which tries to make a person sin by throwing improper thoughts into their head. The heart is also the seat of the yetzer hatov, the good inclination. These two opposing forces both reside in one’s heart. Because of this, the term for “heart” used in the daily Shema is levavecha, and not the more grammatically consistent libecha. The former has an extra letter beit, the doubled language alluding to the two inclinations in the heart.

Our Sages teach that one should always keep their mind above their heart, in full control of their inclinations. The brain should dominate the heart, and the heart should dominate the liver. The Hebrew word for liver, kaved (כבד), is directly related to kavod (כבוד), “honour”. Thus, the liver is the source of pride and arrogance. These organs are arranged physiologically in the body the way they are to teach us a lesson: the brain (or intellect) should be on top, then the emotions of the heart below it, and the ego at the very bottom.

If one accomplishes this, with their brain, moach (מוח) in Hebrew, being above their heart, lev (לב), and their heart being above their liver, kaved (כבד)—then they become a melekh (מלך), “king”. If the letters are reversed, where one’s honour trumps their emotions, which in turn overrule their reasoning, then they are klum (כלם), “nothing”.

The Four Garments of the High Priest

Garments of the regular priest and the high priest (Courtesy: Temple Institute)

The High Priest wore an additional four unique garments. On his forehead was the golden plate known as the tzitz, which atoned for brazenness. This is proven by another gzerah shavah between Exodus 28:38, which commands the priest to wear the plate upon his metzach, “forehead”, and Jeremiah 3:3 which speaks of the brazen “forehead” (again metzach) of a licentious woman.

On top of the regular white tunic, the High Priest wore a meil, a “coat” made entirely of fine blue (tekhelet) wool. The coat atoned for lashon hara, evil speech. Since the Torah states that the coat had bells along its bottom, which jingled as the Kohen walked, Rabbi Hanina explains: “Let an article of sound come and atone for an offence of sound.”

Rav Yitzchak Ginsburgh points out that the term for bell, pa’amon (פעמן) refers to something that resonates, and the same root is used, for example, in describing how the Spirit of God resonated within—l’fa’amo (לפעמו)—the Biblical judge Samson (Judges 13:25). Rav Ginsburgh beautifully notes how the gematria of “Spirit of God” (רוח ה׳) is 240, equal to that of pa’amon (פעמן). It is also equal to meil ha’ephod (מעיל האפד), the full title of the garment, as in Exodus 29:5 or 39:22. He concludes that if one wishes to have the Spirit of God rest upon them, the key is to refrain from any evil speech.

The ephod, or apron, atoned for idolatry. This is derived from Hosea 3:4: “For the children of Israel shall sit solitary many days without king, and without prince, and without sacrifice, and without pillar, and without ephod or teraphim.” The verse is taken to mean that where there is no ephod, there will be teraphim—various implements of idol worship. The word “teraphim” appears multiple times in the Tanakh (as in Genesis 31:19 and Judges 17:5), nearly always in relation to idolatry.

Upon the ephod was the famous choshen, the breastplate that, according to tradition, allowed for communication with the Heavens. The breastplate atoned for violations of dinin, civil law. We know this from the fact that the Torah calls the breastplate choshen mishpat (Exodus 28:15), literally “breastplate of judgement”, with the term mishpat typically referring to court cases and civil law (whereas chukim and edot refer to religious-based, historical, or ritual laws).

In this way, even the very clothes of the Kohen helped him fulfill his main duty of bringing atonement for the people. Yet, in the past two thousand years, there has been no Temple and no priestly service. Might there be something in its stead?

Every Jew is a Priest

When the Temple was destroyed, our Sages instituted a number of practices in place of those Temple rituals. They declared that “as long as the Temple stood, the altar atoned for Israel, but now a man’s table atones for him” (Berakhot 55a). Just as the priests would wash their hands in a special basin before starting their services (and before eating terumah), the Rabbis instituted netilat yadayim, the ritual washing of the hands before starting a meal. Just as the sacrificial meat was required to be brought with salt, it became customary to dip the bread in salt before eating it. In place of the Temple menorah we have the Chanukah menorah, and in place of the Temple showbread we have two challahs, each traditionally braided with six strands to represent the twelve loaves once displayed in the Temple.

In many ways, the Talmudic sages and rabbis saw themselves filling the role once held by the ancient priests. More importantly, they taught that every righteous Jew should see himself as a priest. After all, God intended for all of Israel to be a “kingdom of priests and a holy nation” (Exodus 19:6). In fact, many commentaries agree that it is only because of the Golden Calf incident that the tribe of Levi was appointed to take over the priesthood. Were it not for that tragedy, every firstborn male would be a priest, and any other Jewish male could voluntarily enter the priesthood. To this effect, the Talmud (Bava Kamma 38a) goes so far as to state that “even a non-Jew who occupies himself with Torah is comparable to the High Priest.” A person who lives in Torah and refines himself to the highest degree is likened to the greatest of priests, at least in a spiritual sense.

In a wonderful affirmation of this, we see that every Torah-observing Jewish man is wearing “holy garments” that parallel the priestly vestments. Everyone generally wears a shirt and pants with a belt, along with their head-covering, corresponding to the four vestments of the regular priest (kutonet, michnasei bad, avnet, mitznefet). And there are four additional special items that a Jew wears that parallel those unique garments of the High Priest:

The “bells” along the hem of the tallit.

The tzitz headplate worn on the top of the forehead is like the head tefillin worn “between the eyes”, while the choshen breastplate worn over the heart is like the arm tefillin which is supposed to be worn in line with the heart. The ephod that was worn over the shoulders and stretched down below the waist is like the tzitzit katan garment worn over the shoulders with its fringes hanging down below the waist. The woolen tallit with which we wrap ourselves, with its customary blue stripes to remember tekhelet, is like the special blue meil that was made of fine tekhelet wool. And just as the meil had pa’amonim bells along its hem, the tallit, too, customarily has bell-like knots along its hem.

In this way, every Jew has the ability to elevate to a priest-like status, especially in lieu of a Temple, and in light of the Torah’s statement that all of Israel is a “nation of priests” (Exodus 19:6). Each Jew can bring about atonement, not only for himself but for his people as a whole, and each Jew can spread evermore divine light into the world.

What is Tekhelet?

At the beginning of this week’s parasha, Tetzave, the Torah describes the special garments worn by the Kohanim. Making these garments requires the use of three unique dyed fabrics: tekhelet, argaman, v’tola’at shani, “blue, purple, and crimson wool”. Last year, we discussed tola’at shani and the practice of wearing a red string on the wrist. This year we will explore the other two ingredients: tekhelet and argaman. What are they and where do they come from?

In Greek mythology, the hero Hercules discovered Tyrian purple when his dog chewed on sea snails, as depicted here in Peter Paul Rubens’ “Hercules’ Dog Discovers Purple Dye”

Argaman is more commonly known as “Tyrian purple” or “royal purple”, a famous and prized dye in ancient times. Historical records and archaeological findings show that as early as 3500 years ago, trade in Tyrian purple was widespread across the Mediterranean and the Middle East. It was the Phoenicians who were experts in its production, and carried it around the region. (In fact, the root of the term Phoenician means “purple” in Greek. Similarly, some scholars have found evidence that Canaan means “dye merchant”.) Tyrian purple was worth at least as much as silver, and in some points in history, more than gold.

By the Roman Era, it was so expensive and prized that it was essentially only worn by royalty, hence “royal purple”. An average Roman, or even a Roman senator, would wear a toga pura, plain white, while magistrates and priests wore a toga praetexta, with a purple stripe or hem. Only the emperor would wear a toga picta, one that was entirely dyed purple, with gold embroidery. (Such a toga might also be worn by high ranking generals during their victory processions, as well as by the consuls.)

Shells of the Murex snails that produce purple and blue dye. (Credit: U.Name.Me)

How did the Phoenicians produce argaman? It was extracted from the glands of shellfish on the Phoenician shores of the Eastern Mediterranean. These Murex snails make the dye as a defense mechanism, spraying it on potential predators (just as squids and octopuses, their mollusc relatives, famously do). Research shows that the snails also use the dye for their own predatory behaviour when catching prey, and also as an antimicrobial to protect their eggs. To extract the dye, the snails are either “milked”, which takes a very long time, or more commonly, pierced through their shells to have the glands removed. It would take over 10,000 snails to produce just a few grams of dye!

Tekhelet was made the same way. Though not nearly as popular in ancient times, it was known as “royal blue”. The Phoenicians made it the same way, extracted from a snail. Some say it was derived from a different species of snail, while others point out that the same Tyrian purple, when exposed to large amounts of UV radiation (sunlight), becomes blue.

The Talmud (Menachot 44a) states that the dye was made from chilazon, a snail “whose body resembles the sea, and its form resembles a fish, and it comes up once in seventy years, and with its blood one dyes tekhelet, and therefore its blood is expensive.” It’s not quite the blood of the snail that makes the dye, of course, nor do the snails emerge only once in seventy years. This bit probably entered the Talmud because by that point in history, tekhelet production among Jews had long ended, and knowledge of its exact extraction forgotten. It was probably difficult, if not entirely impossible, for Jews to get their hands on it.

Tzitzit with tekhelet (Credit: Tekhelet.com)

Dr. Baruch Sterman, in a paper for B’Or HaTorah (vol. 11, pg. 185), points out that by the 4th century CE it was actually a crime for a commoner to wear tekhelet across the Roman world. It is highly likely that it was then, for this reason, that most Jews stopped using tekhelet in their tzitzit. Dr. Sterman brings proof from the Talmud (Sanhedrin 12a), where we read how two rabbis were arrested by the Romans for possessing tekhelet. Wealthy Jews living in the Persian Empire continued to pay exorbitant rates to import and use it, until sometime in the middle of the 7th century. It was then, likely due to the rise of Islam and the rapid Arab conquest of the region, that use of tekhelet among all Jews essentially ceased. This is why until today the majority of Jews do not use tekhelet in their tzitzit (as the Torah commands). However, in recent decades, the Murex snails have been rediscovered, and tekhelet is once again available.

Having said all that, Karaite Jews—a small group that rejects the Talmud—believe that tekhelet (and argaman) could not have been derived from snails. And they actually have a couple of seemingly valid points.

The Problem of Karaite Tekhelet

The Karaites believe that tekhelet cannot come from a snail because the Torah would not command something so important to come from a non-kosher animal. They also argue that royal blue tekhelet from snails would have been far too expensive for the average Israelite. Finally, they point out that God commanded this to the Israelites in the Wilderness—so where would they find sea snails in the middle of the desert? Instead, Karaite scholars proposed that tekhelet came from an indigo plant, such as the Indian Indigofera tinctoria (incidentally, this is the indigo once used to dye jeans blue).

Another, more likely, possibility is the woad plant, Isatis tinctoria, which contains the same indigo dye. This plant actually grows in Israel, and was once known as “Asp of Jerusalem”. Interestingly, the Mishnah (Megillah 4:7) states how Kohanim are forbidden from blessing the congregation if their hands are stained with “istis”, ie. the Isatis tinctoria dye. The Bartenura (Rabbi Ovadiah of Bartenura, c. 1445-1515) confirms that istis is a dye “whose colour resembles tekhelet”. This makes it clear that Kohanim in the ancient Holy Temple did use woad as a blue dye, though for what purpose is unclear.

Karaite Jews today continue to make tekhelet from indigo or woad to dye their tzitzit. Since Karaites hold strictly to the Written Torah, they maintain that tzitzit must be blue (and cannot be entirely white like most current “Rabbinic” tzitzit). They hold that any blue dye is fine, since the Torah does not explicitly say that other blue dyes are forbidden. The Talmud, meanwhile, states that a person who uses plant-derived blue dyes instead of authentic tekhelet is sinning, and God declares that He will “exact retribution” from such a person (Bava Metzia 61b, see also Tosefta on Menachot 9:6). And here the Karaites should take heed, for when it comes to tekhelet they are absolutely mistaken.

The big problem for the Karaites is basically everyone else. Aristotle (384-322 BCE) wrote in his History of Animals about the production of blue and purple dyes from snails, as did the Roman philosopher and historian Pliny the Elder (23-79 CE) in his Natural History. These were the choicest and best dyes for clothes and fabrics. While tekhelet and argaman were expensive for the distant Greeks and Romans to procure, they would not have been expensive for the ancient Israelites. After all, these dyes were only expensive to purchase; there is no indication that they were expensive to produce. And the Israelites, like the Phoenicians and Canaanites, were the producers. They made the dyes cheaply, and exported them far and wide, for a healthy profit.

It was only in later centuries, when Israel was no longer an independent entity and was subject to a series of foreign empires, that Jews lost control of the means of tekhelet production. Tekhelet became rarer, and more expensive, and eventually forbidden. This development only occurred in the late Second Temple era, and possibly later. Still, when chemists in the 1990s analyzed blue fabrics uncovered at the Masada archaeological site, they discovered that the fabrics were indeed dyed with Murex snail tekhelet. Even in the late Second Temple era, tekhelet was available and used widely. Besides, the average Israelite in those days would have needed only a minute amount to dye a handful of strings to fulfil the mitzvah of tzitzit.

Another bit of evidence for the fact that snail dye was the real tekhelet comes from the Tanakh itself. While we’ve already seen how historical and archaeological records make it clear that the ancient Phoenicians were experts in snail dyes (not any plant-based blue dyes), we mustn’t forget that these same Phoenicians were heavily involved in the production of Israelite holy items, too! We read in the haftarah for last week’s parasha (I Kings 5:26-6:13) how King Solomon made an agreement with the Phoenician King Hiram, and the latter’s workers played an instrumental role in the construction of the Holy Temple. Granted, this was not the Mishkan of the Wilderness, but the later Temple was based on the earlier Mishkan, and the items were fashioned to the same specifications.

Where was Hiram’s capital city? The Tanakh always refers to him as melekh tzor, “King of Tyre”. This is the selfsame Tyre as the Tyre of Tyrian purple and Tyrian royal blue. We read how “Hiram, king of Tyre, sent his servants to Solomon…” (I Kings 5:15) It is hard to believe that it’s only a coincidence that the Tyrians renowned around the ancient world for their snail dyes are the same ones that the Tanakh tells us worked in Jerusalem! The evidence is therefore quite strong that tekhelet and argaman are the same as the snail-derived Tyrian dyes.

Tekhelet in the Wilderness

The nail on the coffin comes from an even more ancient historical text. Long before Pliny, Aristotle, and even Hiram, the ancient Egyptian Papyrus Anastasi I—dated back to the Nineteenth Dynasty (c. 1292-1189 BCE)—mentions how a royal blue dye is made from sea creatures and smells like putrid fish. This is particularly important because the Nineteenth Dynasty was the time of Pharaoh Ramses II, who is the one most associated with the Exodus. Ramses II built a new capital city which, of course, he named after himself, and which archaeologists have uncovered and refer to as Pi-Ramesses. This is the same city that the Torah mentions the Israelite slaves built (Exodus 1:11). Putting the pieces together, we now have an answer to the question posed by the Karaites: how did the Israelites find tekhelet and argaman in the Wilderness?

The Torah tells us that when the Israelites left Egypt, God commanded them to ask the Egyptians to give them precious materials: “And the children of Israel did according to the word of Moses, and they asked of the Egyptians jewels of silver, and jewels of gold, and raiment.” (Exodus 12:35) The Israelites got tekhelet and argaman from the same place they got their gold and silver (also used in constructing the Mishkan): from the Egyptians. The Papyrus of Anastasi proves that the ancient Egyptians, too, produced blue and purple dyes from Mediterranean snails. They made “raiment”, garments and fabrics dyed with these colours. The Torah informs us that the Israelites took these fabrics with them. And this is how they had them available for the Mishkan in the Wilderness!

Despite all that’s been said, the Orthodox world today has been very slow in readapting the use of tekhelet. Some rabbis maintain that these Murex snails are not the right ones. The Radziner Rebbe (Rabbi Gershon Henoch Leiner, 1839–1891) didn’t know about the snails at all and instead consulted chemists to produce a blue dye from the common cuttlefish, Sepia officinalis. The problem is that the cuttlefish only produces black ink, and turning it blue was a long chemical process that required adding iron filings. When later analyzed by experts, it was found that the Radziner Rebbe’s dye was basically synthetic, and the blue was simply a result of the added iron. (For more, see Dr. Sterman’s article in B’Or haTorah, cited above.) Meanwhile, Rabbi Isaac Herzog (1888-1959, Israel’s first Chief Rabbi) was an early proponent of snail-derived dyes.

In recent decades, more and more researchers have explored the subject, and today everything points to tekhelet being the blue dye of the Murex trunculus snail. The scientists at Masada confirmed it chemically, and although some state that there is no chemical difference between woad, indigo, and Murex blue, there are small differences in their molecular structure. One with a chemistry background will agree that the addition of even a single atom can dramatically change the nature of a substance. Still, many rabbis are reluctant to adopt tekhelet, and have decided it is best to wait until Mashiach comes just to be sure.

Comparing the chemistry of blue dyes: though looking similar to the untrained eye, the chemical structure of plant-based Indigotin (top left) is different from synthetic indigo (bottom left) and the indigo of Murex snails (bottom right).

And as for the Karaite argument that the Torah wouldn’t command something derived from a non-kosher animal, this argument falls apart when considering the third ingredient that always goes along with tekhelet and argaman: tola’at shani. The word is literally translated as a “crimson worm” or, more accurately, “red insect”. Tola’at definitely refers to a bug of some sort, as we read in Exodus 16:20 how leftover manna was infested with tola’im.

Tola’at shani is undoubtedly referring to the common carmine dye used around the world, and known commercially in food as E120. This dye is derived from a variety of scale insects, most commonly the cochineal family of bugs. Professor Zohar Amar of Bar Ilan University spent many years researching tola’at shani and concluded that it is unquestionably a red insect, which nests in the common Israeli oak tree. In fact, the Temple Institute has already begun harvesting these insects to produce an authentic avnet, the priestly belt that requires the red dye, in preparation for Mashiach’s coming and the return of priestly service in the forthcoming Third Temple.

Clockwise from top left: Professor Amar leads the Temple Institute’s Tola’at Shani harvest; the “crimson worm” on a branch of an Israeli oak tree; Professor Amar holds a cup of crimson water produced by crushing a single worm. 

Should You Wear a Red String on Your Wrist?

Vestments of the kohen and kohen gadol

This week’s parasha, Tetzave, continues to outline the items necessary for the Mishkan, or Tabernacle, starting with the Menorah and going into a detailed description of the priestly vestments. One of the materials necessary for the holy garments is tola’at shani, commonly translated as “crimson wool”. This was a deep red fabric apparently derived from some kind of insect or worm (which is what the Hebrew “tola’at” means). The Torah speaks of this material in multiple places and in multiple contexts. Today, wearing a “tola’at shani”-like red string on the wrist has become very popular among those calling themselves “Kabbalists” and even by secular Jews and non-Jews. What is the significance of the red fibre, and is there any real spiritual meaning to the red string bracelet?

The First Red String

The earliest mention of a red string is in Genesis 38:27-30, where Tamar gives birth to her twin sons Peretz and Zerach:

And it came to pass in the time of her labour that, behold, twins were in her womb. And in her labour, one hand emerged, and the midwife took a red string [shani] and tied it to his hand saying, “This one came out first.” And he drew back his hand, and behold, his brother came out, and she said: “With what strength have you breached [paratz] yourself?” so his name was called Peretz. And afterward came out his brother that had the red string upon his hand, and his name was called Zerach.

Here, the red string is simply used to designate the firstborn. It didn’t work out as planned, for the other twin ended up coming first. The strong Peretz would go on to be the forefather of King David, and therefore Mashiach, who is sometimes called Ben Partzi. Clearly, wearing the red string wasn’t much of an effective charm for Zerach.

Temple Rituals

In addition to being used in the garments of the priests and various Temple vessels, tola’at shani was employed in a number of sacrificial rituals. In Leviticus 14 we read how someone who had healed from tzara’at, loosely translated as “leprosy”, would bring an offering of two birds which were dipped in a mixture containing the red dye. From this we see that tola’at shani (or shni tola’at, as it appears here) is not necessarily the string itself, but simply the red dye extracted from the insect. Similarly, the red dye was used in the preparation of the parah adumah, “Red Cow”, mixture (Numbers 19) which was used to purify the nation from the impurity of death.

The Talmud (Yoma 67a) describes how a red string was tied to the scapegoat on Yom Kippur. Recall that on Yom Kippur two goats were selected, one being slaughtered and the other being sent off into the wilderness, “to Azazel”. This “scapegoat” had a red string attached to it, and if the string turned white the people would know that their sins had been forgiven, as Isaiah 1:18 states: “…though your sins be as scarlet, they shall be as white as snow; though they be red like crimson, they shall be as wool.” Here, then, the red string represents the sin of the people, bound to the scapegoat going to Azazel. If it turned white, it was a good sign, whereas if the string remained red it meant God was unhappy with the nation. Indeed, the Talmud (Yoma 39b) states that in the last forty years before the Second Temple was destroyed, the red string never once turned white.

Red in Kabbalah

In mystical texts, red is typically the colour of Gevurah or Din, severity and judgement. It was therefore generally discouraged to wear red. The Kabbalists often wore garments of all white, and this is still the custom during the High Holidays, a time of particularly great judgement. It was only centuries later that the Chassidic rebbe known as Minchat Eliezer (Rabbi Chaim Elazar Spira of Munkacz, 1868-1937) wrote how having a red cloth may serve to ward off judgement and severity. Another Chassidic rebbe, the Be’er Moshe (Rabbi Moshe Stern of Debreczin, 1890-1971) wrote that he remembered seeing people wear red strings as a child, but did not know why. Still, this does not appear to have been a very popular practice then, nor is it much of a custom among Chassidim now.

1880 Illustration of Rachel’s Tomb

Rather, the red string today has been popularized by The Kabbalah Centre and similar “neo-Kabbalah” movements that cater as much to non-Jews as to secular Jews. The Kabbalah Centre explains that the bracelets are made by taking a long red thread and winding it around Rachel’s Tomb seven times. The thread is then cut into wrist-size lengths, and if worn on the “left wrist, we can receive a vital connection to the protective energies surrounding the tomb of Rachel.” It is not clear where The Kabbalah Centre took this practice from. They claim that the red string wards off the evil eye. While they cite certain passages from the Zohar regarding the evil eye, there doesn’t seem to be any connection to a red string specifically.

The Zohar (II, 139a) does state in one place that the blue tekhelet represents God’s Throne, as is well-known, which means judgement, whereas the red shani is what emerges from the Throne and overpowers the judgement, thus bringing protection upon Israel. The Zohar relates shani to Michael, the guardian angel of Israel, and uses the metaphor of a worm eating through everything to explain the tola’at shani as eating up negative judgement. This is why the famous song Eshet Chayil (Proverbs 31) states that a “woman of valour” has her whole house dressed in shanim (v. 21). She guards her household in this way. (It should be noted that in this passage the Zohar states it is gold which represents Gevurah, and silver represents Chessed. White and red, meanwhile, appear to be aspects within the sefirah of Yesod.)

So, perhaps there is something to wearing a red string.

Bringing Back Shani

The Zohar does not speak of any red string at all, and instead explains the mystical power of the red dye called shani. It is the dye itself that has power, as we see from the Temple rituals noted above. It is well-known that the blue tekhelet dye comes from a certain mollusc or sea snail called chilazon. From where does shani come?

A female and male cochineal bug.

Professor Zohar Amar of Bar Ilan University researched the subject in depth and concluded that tola’at shani is similar to the cochineal insect, famous for producing the red dye carmine (E120) which is extensively used in the food industry. After a round-the-world search, it turned out that a cochineal-like insect is found in Israel as well, and grows on oak trees.

While the cochineal insect is native to South America (where most of the carmine is still produced), its Mediterranean cousin is the oak-dwelling kermes insect. Indeed, kermes was used across the Mediterranean world for millennia, being particularly prized in Greek, Roman, and medieval society. It is best known for its ability to dye wool extremely well. Jerusalem’s Temple Institute was convinced of the professor’s findings, and has begun harvesting the bugs and their red dye in order to produce authentic priestly vestments, as outlined in the Torah.

In light of this, a genuine red string “kabbalah” bracelet—with the protective powers mentioned in the Zohar—would undoubtedly have to be made of wool dyed with kermes red. And according to the Zohar, it probably shouldn’t be worn on the left wrist at all, but instead on the right leg, the body part which the Zohar (II, 148a) states that shani corresponds to.

Imitating Pagans

Judaism is very sensitive about not imitating the ways of the pagans, or darkei Emori. One example of this, as we wrote in the past, is kapparot, which the Ramban (among others) called an idolatrous practice. The Tosefta (Shabbat, ch. 7) has a list of practices that are considered darkei Emori, and one of them is “tying a red string on one’s finger”. So, already two millennia ago it seems there were Jews tying red strings on their body, and the Tosefta (which is essentially equivalent to the Mishnah) forbids it.

The Hindu kalava looks suspiciously similar to the “kabbalah” red string.

In fact, Hinduism has a custom to wear a red string called kalava around one’s wrist in order to ward off evil. This is precisely what The Kabbalah Centre claims their red string accomplishes. Based on this alone it would be best to avoid wearing such a red string. The Lubavitcher Rebbe was one of the recent authorities who stated that the red string should not be worn due to darkei Emori. Factoring in that the red string has no basis in the Zohar or any traditional Jewish mystical text is all the more reason to stay away from this practice.

The Priests and the Aftermath of the Golden Calf

This week’s Torah portion is Ki Tisa, most famous for its account of the Golden Calf incident. Last year, we addressed some of the major questions surrounding the Golden Calf, including who exactly instigated the catastrophe, why it was done in that particular way, and the mystical reasons behind it. Another set of questions arises from the way Moses dealt with the incident. We read how Moses first had the Golden Calf ground up and mixed with water, a mixture that the populace was forced to drink. Then, he called on the perpetrators to be killed by sword. Finally, God sent an additional plague as punishment for the incident. What is the significance of these three measures?

Priestly Procedure

Rashi comments on Exodus 32:20 that Moses “intended to test them like women suspected of adultery”. This refers to the sotah procedure, described in Numbers 5:11-31, where a woman who may have committed adultery is brought before the priests and tested by having her drink a special mixture of “holy water”. If she is guilty, she would die immediately; if innocent, she would be blessed. Moses did the same by grinding the Golden Calf into a special mixture and having the people drink it. This would identify those who were guilty of idolatry. The symbolism is clear: in the same way that the adulteress cheats on her husband, the Israelites at Sinai “cheated” on God.

Rashi further explains that this procedure was only to identify those who had worshipped the Calf secretly, without any witnesses. However, there were those who had worshipped the Calf openly and publicly. Deuteronomy 13:13-18 states that the punishment for such open displays of idolatry—assuming the idolaters had been given a clear warning—is death by sword. It was these people (three thousand of them) who were killed in this particular way.

The last group were those who had worshipped the Calf openly, but were not given a warning. In Jewish law, the death penalty is not meted out unless the perpetrators were given a clear explanation of their sin and were explicitly warned about the consequences beforehand. Since this last group of people worshipped the Calf openly, but without a warning, they could not be punished. In such cases, it is up to the Heavens to dole out justice. This is why they were punished with a plague.

Priestly Origins

Rashi’s comments come from the Talmud (Yoma 66b), which also provides us with an alternate explanation for the three types of punishment. Those that were most involved in the idolatry—sacrificing animals and burning incense to the Golden Calf—died by sword. Those who merely “embraced and kissed” the Calf died by plague. And those who only “rejoiced in their hearts” and worshipped the Calf in secret died by drinking the mixture.

The same page of Talmud reminds us that the entire tribe of Levi did not participate in the sin. The Sages explain that this is why the Levites were elevated to the status of priests. Prior to the Golden Calf, it was the firstborn male of every family that was supposed to ascend to the priesthood. After the Calf, the Levites were designated as the priestly class, with the descendants of Aaron serving as the kohanim, the high priests. For this reason, a firstborn male must be “redeemed” from a kohen in a special ceremony known as pidyon haben thirty days (or more) after his birth.

Illustration depicting Moses commanding the Levites at the Golden Calf, from ‘Compendium of Chronicles’ by Persian-Jewish sage Rashid-al-Din (1247-1308)

Priestly Exceptions

Having said that, we do see a number of exceptions to this rule. Pinchas was a Levite who was elevated to kohen status after his actions brought an end to the immoral affair with the Midianites. He would go on to become the kohel gadol, the High Priest, and hold that position longer than anyone else—over 300 years according to certain opinions!

Another exception was the prophet Samuel. His barren mother, Hannah, promised that if God would give her a child, she would make the child a nazir (loosely translated as “monk”) from birth and dedicate him to the priesthood. After Samuel was weaned, Hannah—considered a prophetess in her own right—left him under the tutelage of the High Priest Eli. The Tanakh tells us that Eli’s own two sons, Hofni and Pinchas (not to be confused with the Pinchas above) were “base men who did not know God” (I Samuel 2:12), and it appears that Samuel filled the void they left, for he “served before Hashem, a youth girded with a linen ephod” (2:18). The ephod was one of the special vestments worn only by the kohanim, as described in last week’s parasha. Despite Samuel being from the tribe of Ephraim, it appears he became a full member of the priesthood. So great was he that Psalms 99:6 famously equates Samuel with Moses (a Levite) and Aaron (a kohen) combined.

In fact, long before Aaron we read how Melchizedek was a “kohen to God” who came to bless Abraham (Genesis 14:18). Melchizedek is identified with Shem, the son of Noah (appropriately his firstborn son, according to many opinions). He was the first person in history to serve as a proper priest, offering sacrifices to God upon an altar upon exiting the Ark following the Great Flood (see Beresheet Rabbah 30:6).

Finally, the Talmud (Sukkah 52a) speaks of a certain “righteous priest” who is one of the four messianic figures prophesied by Zechariah. While Mashiach himself is said to be from the tribe of Judah and a descendent of King David, there are a number of perplexing sources speaking of Mashiach being a kohen! In fact, there are only four places in the entire Torah where the word mashiach (משיח) actually appears. All four cases are in reference to a kohen, mentioned as hakohen hamashiach. While the simple explanation is that this refers to the “anointed” priest, ie. the High Priest, the deeper meaning suggests that Mashiach himself is somehow a kohen.*

In reality, this isn’t so hard to understand. After all, when Mashiach comes everything will revert to the way it was meant to be originally. The sin of the Golden Calf will be rectified, together with all the other tikkunim. Thus, the priesthood will once again belong to the firstborn. And even this will likely be temporary, for God always intended the Jewish people to be a mamlechet kohanim, for each and every Jew to be a priest, as it is written (Exodus 19:5-6):

…If you would but hearken to My voice, and keep My covenant, you shall be My treasure among all peoples, for all the earth is Mine; and you shall be unto me a kingdom of priests, and a holy nation…

Courtesy: Temple Institute


*Interestingly, the breakaway sect of priests known as the Essenes—who likely produced the Dead Sea Scrolls—believed in a messianic figure referred to as moreh tzedek, the “Righteous Teacher”. Scholars have suggested this was a high-ranking kohen named Judah who separated from the corrupt Sadducee priests of the Second Temple and founded the ascetic Essene sect. Judah was ultimately killed for apostasy, and the Essenes apparently believed that he would return to life to usher in the Messianic age. It seems early Christians adopted many elements of this legend. The possibility is explored by Michael O. Wise in The First Messiah: Investigating the Savior Before Christ.

The Mysterious Urim and Thummim, and the Dome of the Rock

Modern Rendition of the Choshen, the High Priest’s Breastplate

This week’s Torah portion is Tetzave, which focuses on the holy vestments worn by the Kohen Gadol, the High Priest. Perhaps the most enigmatic of these vestments is the choshen hamishpat, the “breastplate of judgement”. This breastplate was embedded with twelve different precious stones, each symbolizing one of the Twelve Tribes. Housed within the breastplate were the Urim v’Tumim, mysterious objects whose nature has been speculated upon for centuries.

The Torah itself does not elaborate on what the Urim and Tumim are. The Talmud (Yoma 21b) states that they were one of the five things that were in the First Temple but missing in the Second Temple. Many believe that these were a couple of stones used to communicate with God. Unseen and unused for some two and a half millennia, it isn’t surprising that the Urim and Tumim are clouded in mystery.

Guilty or Innocent?

Some scholars see urim rooted in the root arur, “cursed”, and tumim from tam, “innocent”. Thus, these stones were used to figure out if a person was guilty or innocent, or if a certain decision was right or wrong. We read in I Samuel 14:36-44 how King Saul debated whether to pursue the Philistines in battle or not, so the High Priest addressed the question to God. God does not respond, so Saul concludes there must be a guilty person among them causing God to turn away. He then separates the people into groups to see which group contains the guilty party. It turns out that it is Saul’s son Jonathan who erred. This passage highlights the use of Urim and Tumim in divine communication, both in finding whether an action is right or wrong, and in determining guilt and innocence.

How did the stones communicate this? The word urim can mean “lights”, so it is thought that the stones glowed: one stone for yes/innocent, and the other for no/guilty. Others hold that the Urim and Tumim gave power to the Breastplate itself, causing the letters engraved upon it to glow. Each of the twelve stones on the Breastplate was engraved with the name of the corresponding tribe. However, the twelve names do not include all twenty-two letters of the Hebrew alphabet! The missing letters—Chet, Tet, Tzadi, Kuf—are in the names of the patriarchs, which were also engraved onto the plate, together with the phrase shivtei yeshurun, “Tribes of Jeshurun”. (Jeshurun was an ancient name for Israel.)

Interestingly, Rabbi Chaim Vital writes that this is how the Arizal could “read” people’s faces, by seeing a sort of Breastplate on their forehead. In Sha’ar Ruach HaKodesh, he explains that each person’s forehead has the twenty-two letters mystically engraved upon it, and the letters glow allowing the adept to penetrate into one’s soul and fortune. Each letter symbolizes different things. If no letters at all are shining, the person is nearing their death!

The Foundation Stone

Meanwhile, Targum Yonatan comments (on Exodus 28:30) that the Urim and Tumim were themselves inscribed with the alphabet, through a mystical name of God—“the name through which He created all three hundred and ten worlds”. Again, the letters would glow in sequence to provide the answer to one’s question. Targum Yonatan appears to suggest that the Urim and Tumim were special stones formed from the great Even HaShetiya, the Foundation Stone. According to tradition, this is the Stone from which Creation began, some seeing it is the very centre of the universe. Targum Yonatan says the Foundation Stone was placed by God to “seal up the mouth of the great deep at the beginning”.

This refers to the account of Creation, where it is stated at the beginning that everything was “chaos and void, with darkness upon the deep” (Genesis 1:2) before God said, “Let there be light.” Looking at these verses carefully, we see that the Torah uses the word tehom for the great deep, before the introduction of light, or. It isn’t difficult to see a connection between or v’tehom and urim v’tumim. The Urim and Tumim are meant to be conduits for communicating with the Divine, while the Foundation Stone has traditionally been seen as the very link between the Heavens and Earth.

Where is this Foundation Stone? The Talmud (Yoma 53b) tells us that the Even Shetiya is precisely the site of the Holy of Holies, the inner sanctum of the Temple, where the High Priest entered just once a year on Yom Kippur. The Stone served as the foundation for the Ark of the Covenant. The Ark, too, was a means of Divine Communication, with a Heavenly Voice emanating from between the Cherubs on the Ark’s Cover. We therefore see a link between the Ark and the Urim v’Tumim. The Talmud tells us that both the Ark and the Urim were missing in the Second Temple, together with the Shekhina and the spirit of prophecy. In short, the Second Temple era was devoid of any real divine communication.

The Dome of the Rock

The Dome of the Rock and the Western Wall. Some believe the Temple was located right in front of the Wall, in the forested area pictured above.

So, what stood instead of the Ark in the Holy of Holies of the Second Temple? The Foundation Stone! It protruded “three fingers above the ground” and it is on this Stone that the High Priest would place the burning coals and incense on Yom Kippur (Yoma 53b). It is atop this Stone that the Muslims built the famous gold-topped Dome of the Rock (hence the name).

The Rabbis debate whether the Rock inside the Dome really is the Foundation Stone or not. The Arizal is among those who believed it is not, suggesting instead that the Temple was built right in front of where the Western Wall is today. Meanwhile, the Radbaz and Rav Ovadia of Bartenura maintained that it is indeed the Stone. They are supported by an ancient Midrash which prophesies that the Ishmaelites will do fifteen things in Israel, one of which is building a shrine atop the Holy of Holies (Pirkei d’Rabbi Eliezer, ch. 30). The midrashic passage concludes by presciently saying the Ishmaelites will instigate three great wars at the end: one in Arab lands, one in the Sea, and one in the West. It is in the midst of these wars that Mashiach will come.

Top view of the Stone housed in the Dome of the Rock.

When that time comes, the Ark of the Covenant—which many believe is currently hidden under the Foundation Stone—will be restored, together with the Priestly Vestments. In light of the fact that we are now quite clearly living out the final verses of that midrashic passage, it seems we shall soon be able to finally unravel the mystery of the Urim v’Tumim.

A picture from beneath the Rock, the area known as the “Well of Souls”