Tag Archives: Song of Songs

God of Gods, King of Kings

‘The Midianites Put to Flight’ by Gustav Doré

One of the difficult passages in this week’s double parasha, Matot-Massei, which closes the Book of Numbers, is where God seemingly commands a complete massacre of a neighbouring people, the Midianites. This is actually God’s final command to Moses, saying “Take revenge for the Israelites against the Midianites. Afterwards, you will be gathered to your people.” (Numbers 31:2) The next and final book of the Torah is Moses’ own account of his leadership, and was relayed over the last 37 days of his life.

The Israelites go on to slaughter every male Midianite (31:7), take the women and children captive (31:9), then burn down all the cities and take plunder (31:10-11). Still, the Israelites are chastised for letting the adult women live (31:15), as they were the very ones that tempted Israel into various sexual sins beforehand. Understandably, this is one of the most troubling passages in the whole Torah—how could a holy nation seem to behave in a manner more like the violent and bloodthirsty nations we condemn? Unfortunately, passages like this have also turned many away from the Torah, and generated numerous atheists. One such atheist is Richard Dawkins, who summarized it this way in his book, The God Delusion (ch. 2): Continue reading →

A New Perspective on Rabbi Akiva, Rachel, and the 24,000

An illustration of Rabbi Akiva from the Mantua Haggadah of 1568

Now that Lag b’Omer is behind us and the mourning customs have been lifted, it may be a good time to reflect more deeply on the whole story of Rabbi Akiva and his 24,000 students. This story is very well-known, of course, and deeply ingrained in our psyches. But for me, like for many people, multiple aspects of the story never really made sense. So many questions emerge, each more troubling than the next.

First, how it is possible that 24,000 Torah giants—talmidei chakhamim and presumably very righteous people—were slaughtered in the span of just a few weeks? The students of the great and saintly Rabbi Akiva, no less? Why did he have to suffer such a horrendous loss? And all because the students “didn’t honour each other properly”? Since when does lack of honour incur mass execution? And what does it even mean, anyway, that they didn’t “honour” each other? How so?

Another question: why specifically 24,000 disciples? How did Rabbi Akiva even get such an astronomical number of students in the first place, at a time following the Great Revolt when the Jewish community in the Holy Land was decimated? And why does the number 24 keep coming up in the story? Recall that Rabbi Akiva left his home and was away from him wife for 24 years, returning with 24,000 students. Surely this is not coincidental. I believe it might actually hold the key to answering all of the perplexing questions above, as well as another big mystery:

Why is it that the mourning period for the 24,000 students specifically requires abstaining from weddings. As explored in the past, the earliest mention of “mourning” during the Omer is from the times of the Geonim, and suggests to only avoid weddings. (The first halakhic code to officially speak about it, the Arba Turim, notes a universal custom to avoid weddings, and only a local custom among some communities to avoid haircuts.) Why is the essence of mourning for the 24,000 specifically observed by prohibiting weddings? Continue reading →

Ten Divine Songs

In this week’s parasha, Beshalach, the Israelites safely traverse the Red Sea and erupt in joyous song. This song, Shirat haYam, the “Song of the Sea”, is so important that it was included in our daily prayers. The Zohar (II, 131a) describes it as a song of redemption, and one that causes Israel to be “crowned” when we sing it, which is why it is the very climax of Pesukei d’Zimra, right before going into the Shema and Amidah at the height of our prayers. The Zohar says one who sings Shirat haYam with full kavanah will merit to see the coming of Mashiach. At the same time, Midrash Shir haShirim Zuta lists it among history’s ten special divine songs. What are these ten unique songs and how do they parallel Creation and the Ten Sefirot? Continue reading →